damnation
LAST FALL, I WALKED INTO Room 154 at my son’s public elementary school in Great Falls, Va., for the inaugural meeting of a new after-school club. The club’s lead organizer, a parent at the school, eyed me as she stacked Annie’s Cheddar Bunnies snacks and asked about my son, a fifth-grader at the school: “Is Shibli here?”
“No,” I responded, quietly taking my seat. I’d come out of curiosity. Our school administrators had emailed parents a flyer advertising a free, exciting, fun-filled hour of “dynamic Bible lessons,” “creative learning activities,” and “inspiring missionary stories,” with a pledge to teach our children “respect for authority,” “moral values,” and “character qualities.” Would this club be a good experience for my fifth grader?
At 3:17 p.m., three minutes before the dismissal bell, the mother-volunteer said: “Asra, I’m going to have to ask you to leave. This is a kid’s club, and you don’t have a kid [here].” My curiosity turned to suspicion. Instead of leaving, I called the school district’s public affairs office who confirmed that the club, held on public school grounds, was in fact open to anyone, with or without a child.
The mother ran out of the room and returned with the school principal. He bee-lined to me, yelling: “Right now, you are disturbing the children.” I looked around. The children were happily munching on their Cheddar Bunnies. He moved the club to the gym. When I followed, he blocked my way.

The film picks up on the recent media buzz generated by Rob Bell's controversial bestselling-book Love Wins, taking that debate into new levels of intelligence and depth.
Like any good documentary, we have the entertaining attention grabbing parts, which aren't hard to find when your topic is Hell and damnation:
We meet people at a death metal concert, take a tour through "Hell House" where actors attempt to traumatize teens into the kingdom by reenacting scenes from Columbine. Then there are the street interviews with the rather obviously mentally unstable and angry folks from Fred Phelps' church, holding their "God Hates Fags" signs and screaming at anyone who passes by.
The movie quickly moves beyond this however, delving into the deeper issues at hand. Unlike so many other Christian films, Hellbound? is neither sentimental nor sensationalist. The word that comes to mind instead is depth.