west virginia wesleyan

Turning Mourning into Voyeurism

I'm sure it will end on September 12 when the news media go back to reporting the most urgent question of our time -- which GOP candidate will win the tea party debate on Monday night? -- but this past weekend's coverage of the 10th anniversary of 9/11 was relentless. (I know I could just turn off the TV, but when you write a blog on religion, culture, and politics, you gotta do the research).

The packaging of the 9/11 narrative, with its stunning visuals, has been masterful these last 10 years -- compelling, emotional, inspiring. And ratings gold.

But it strikes me that grieving-through-media does not serve us well, individually or collectively.

Hurricanes and Spoiled Romance

When our ideas about nature come primarily from Sierra Club calendars or selected snippets from Thoreau, an east coast earthquake and monster hurricane (in the same week) are powerful wake-up calls.

We modern urban dwellers and suburbanites like our nature contained and manageable: a nice hike in the woods; a pretty sunset on the drive home; a lush, green lawn (chemically-induced, alas)

Sometimes we like nature so much we decide to worship it -- or to make it the medium for our worship of God or the "higher power" we think might be up there, out there, presiding over it all. We've been wounded by organized religion, perhaps, disgusted by its hierarchies and hypocrisies. "I can worship God on a mountaintop," we decide. (Or -- conveniently, happily -- on the golf course).

Malick's Metaphysics: Creation, Being, and The Tree of Life

When evangelical politicians pronounce on topics like the origins of the universe, the results are almost always awful -- embarrassing, infuriating, unwatchable. When a reclusive, visionary filmmaker like Terrence Malick treats the same subject matter, as he does in his new movie The Tree of Life, one is transported. Which is a useful reminder that the mysteries of creation are best grappled with through art. The book of Genesis, after all, begins not with scientific description or theological argument, but with a poem.