El Camino del Inmigrante (the way of the immigrant) is the name of an upcoming 150-mile walk from the California-Mexico border to Los Angeles, arriving in time for the annual Christian Community Development Association conference. Participants in the conference and Southern California residents — immigrants and citizens — will walk together for ten days to remember and to lift up the suffering of migrants as well as their contributions to our country.
Like many people, I was troubled when I heard about the recent shooting outside of a Jewish community center in Overland Park, Kansas. According to several news accounts, the perpetrator — Frazier Glenn Cross — yelled, “Heil Hitler” at onlookers as he was being carried away in a police car. Cross also has a long history of anti-Semitic behavior and has publically declared a hatred of all Jews.
In addition to being troubled by this act of hatred and violence, I was also troubled by the quick response of CNN Belief Blog Co-Editor, Daniel Burke, who made it a point to emphasize that Frazier was not a Christian but rather allegedly an adherent of Odinism, a “neo-pagan” religion which, according to Burke, “has emerged as one the most vicious strains in the white supremacist movement.”
While the annals of Christian history — ancient and modern — are full of accounts of violence perpetrated in the name of Christianity, my objective here is neither to defend Odinism nor to criticize Christianity. Instead, I want to highlight the socially constructed nature of beliefs and beliefs systems and emphasize how these socially constructed beliefs say far more about us than they do about the “gods” we claim to accept or reject.
This was not so much a movie as a (very long) sermon. In fact, it's a sermon that actually culminates in a sermon, as Kendrick's character spells out what he has learned in a message delivered to his church congregation.
Despite its well-meaning intentions, Courageous fails to say anything new about fatherhood, family, faith or anything else, for that matter. The few funny or moving scenes are surrounded by clunky acting, overly-moralistic dialogue and a plot that is trying to be three movies in one -- and none of them terribly believable.