I’m sure most of us have played the scene in our heads one too many times: little baby Jesus, presumably Caucasian, lying in a tiny crib-esque manger comfortably padded with hay — even though the song specifically says “no crib for a bed” — while the animals, which are perfectly behaved, quietly and reverently look on. Cue the wise men, in their strange, exotic garb, and sprinkle a few angels in there — you know, the ones that look like babies with wings and white togas.
That was my impression of the nativity scene as a kid, and the popular children’s Christmas carol, “Away in a Manger” didn’t do anything to help. It seemed to perpetuate the picturesque nativity image of most of the figurine depictions in our living rooms.
But, if only for a few minutes, put aside the notions that the “manger” probably wasn’t as clean and cozy as we thought, that it probably wasn’t a silent night — have you met a baby that’s gone through its first 24 hours without crying? — or that Jesus probably wasn’t snug in a crib conveniently left in a manger.
Even though the song may seem like it only deserves a cursory glance, as it was originally published in theLittle Children's Book for Schools and Families in 1885, I purport there’s something more to the childhood classic.