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On Love: 'Looper' and C.S. Lewis

John Chillingworth / Getty Images. Looper poster design by Ignition Print

John Chillingworth / Getty Images. Looper poster design by Ignition Print.

As the credits rolled after Looper in a packed Chinatown movie theater in Washington, D.C., I simply sat in reverent silence. Moviegoers on all sides began to rise and quietly leave the theater, but for a brief moment all I could do was just sit there. Quite simply, the movie blew my mind.

When I snapped out of it my thoughts started racing, analyzing the ending, which I won’t ruin for you, and the movie as a whole. It wasn’t a question of whether it was “good” or captivating — those were givens. Rather, I started mining the film’s rich themes and questions, particularly what it said about love.

While sitting there, lost in my mind, I began to notice the music accompanying the names moving onscreen. The song’s chorus sang something like, “I loved you so much that it’s wrong.”

I don’t think the song choice was an accident.

That lyric, I think, illuminates the crux of the film: can something like “Love” — not just romantic love — become perverted? Or, in other words, can our love for one person lead us to do horrible things to others?

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