Last Sunday in Los Angeles, Cathleen Falsani sat down with Ari Handel, a screenwriter and frequent collaborator with Noah director Darren Aronofsky, with whom he co-wrote the film and the graphic novel, Noah, upon which it was based, to discuss some of the extra-biblical elements of the $150 million movie.
Longtime friends Handel and Aronofsky were suitemates at Harvard University. Before becoming a screenwriter and film producer, Handel was a neuroscientist. He holds a PhD in neurobiology from New York University. He was a producer on Aronofsky’s films Black Swan, The Wrestler, and The Fountain (which he co-wrote with Aronofsky), and had a small role as a Kabbalah scholar in the director’s debut film, 1998’s Pi.
Editor’s Note: The following Q&A contains some spoilers about the film. It has been edited for length.
Much of Westernized Christianity’s recent decline has been blamed on the failure of churches and denominations to adapt to modern times — either becoming irrelevant or, contrarily, becoming too commercialized and “fake,” creating a superficial form of faith that drives parishioners away from institutionalized religion.
Lost in the conversation is a much deeper issue, one that revolves around losing confidence in the Bible.
For years churches have glossed over, rationalized, and provided shallow answers to thorny Biblical problems that are no longer being ignored — and it’s becoming harder to defend texts that appear contradictory and culturally irrelevant.