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Are We the United States of Dystopia? The Politics of 'The Giver'

By Tom Deignan
Meryl Streep and Jeff Bridges star in “The Giver.” Photo courtesy of The Weinstein Company
Aug 12, 2014
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This Friday, a movie version of the classic novel “The Giver” opens in theaters with an impressive cast, including Oscar winners Meryl Streep and Jeff Bridges. “The Giver,” originally written by Lois Lowry, explores a seemingly perfect world where all conflicts have been resolved and annoyances — such as bad weather and adolescent “stirrings” — have been eradicated, allowing this culture to achieve a beautiful state of “sameness.”

As you can imagine, this utopian society is not so utopian. “The Giver” focuses on young Jonas, who has been selected for a daunting task: to serve as society’s sole proprietor of memory and emotion. Jonas learns about pain and sadness, but also experiences beautiful colors, a thrilling sleigh ride and ultimately learns to feel love. In other words, Jonas learns what it means to be human — and that his world may not be so perfect after all.

“The Giver” is the latest in a wave of dystopian stories that have washed over America in recent years. From this summer’s “Purge” sequel and “Under the Dome” to the latest “Hunger Games” movie (due out in November), people can’t get enough of these apocalyptic fantasies, in which seemingly perfect worlds turn horrific.

Why such an appetite for dystopian stories now?

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Meryl Streep and Jeff Bridges star in “The Giver.” Photo courtesy of The Weinstein Company
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