With six children in a Southern Baptist family in the 1970s, we could easily have had a dozen Bibles in the house. There was the giant, gray Family Bible with the embossed cover that resided on the bottom shelf of the living room, which nobody ever read. And there was a scattering of those palm-sized New Testament and Psalms around the place, like silverfish in a drawer — always white or pale green, with ersatz gold leafing that would flake off under the prodding of a fingernail.
There was a Novum Testamentum from when my oldest sister took Latin in college, sandwiched on a shelf. I also always liked the ones from the Gideons (do the Gideons even still exist?) that had translations of John 3:16 in the back. My favorite: Sinhalese.
The vast majority, though, were what could be termed “presentation Bibles.” Invariably from Broadman Press (headquartered in Nashville, the Baptist Vatican), either slick shoe-polish black or steak-slab red “bonded leather” (Ooh, baby!), these had been awarded as part of Sunday school or Scripture memorization schemes, and always had about them the whiff of bribery, with the name of the person to whom the Bible was “dedicated” written in ostentatious cursive in the front. “The Words of Christ Are in Red,” it was noted, and in the back was a sheaf of biblical maps, the topography of the Exodus, and Paul’s missionary journeys rendered in Sweet Tart pink and blue.
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