Feeding the Inner Life

Our deeper hunger is for stories that strive to tell the truth about life and its possibilities, that demand self-reflection, and that permit subtexts to breathe so we can fill in the gaps.

THE TEACHER Edwin Friedman believed that good leadership creates conditions for people to find tools to become emotionally mature. In other words, no matter what its stated goal (civil rights, community organizing, religious engagement), the most important purpose of leadership is to help us become more fully human.

Of course this is also true for artistic endeavors—stories that create emotional dependency in audience members are not offering good leadership, and they usually make for bad art too. We may like them, as they satisfy the surface-level desire for easily grasped narratives and quick resolution. But that’s the aesthetic equivalent of a cheap burger. Our deeper hunger is for stories that strive to tell the truth about life and its possibilities, that demand self-reflection, and that permit subtexts to breathe so we can fill in the gaps.

I saw three such films recently. Inside Out displays astonishing imagination, bringing us into the human psyche to figure out how we think. There’s genius in a story that gives the five core emotions personalities, wisdom in how it makes honest work of how people confront change, and a delightful bonus in the form of Bing Bong, a character with all the lovableness of Baloo the Bear and a purpose with which Carl Jung would be pleased. Inside Out offers no shortcuts to spiritual well-being. It’s film-as-therapy that’s as entertaining for kids as it is wise for adults (and vice versa).

Love & Mercy unfolds Brian Wilson’s exquisite imagination and explores the source of the Beach Boys’ best sounds (with the richest performances John Cusack and Paul Dano have ever given). Wilson’s lifelong struggle with the psychological effects of trauma is portrayed with uncommon sensitivity. This may be one of the most accurate depictions of mental torment cinema has brought us (a daydream/nightmare sequence in which Wilson appears to himself as three different versions of his persona is as evocative as anything in Requiem for a Dream or Raging Bull).

And the wise and humane real-world fantasy The Fisher King wants nothing less than to heal the audience. A perfect cast—Robin Williams, Jeff Bridges, Mercedes Ruehl, and Amanda Plummer—dance with each other around a Grail myth and illuminate the stages of a contemporary hero’s journey. It has just been released on DVD and Blu-Ray in a gorgeous restoration; it’s a beautiful, touching, and psychologically resonant operetta about broken people fixing each other because there’s nothing more important than love. As with the best leadership, it could help you find good things within yourself you didn’t know were there. 

This appears in the September/October 2015 issue of Sojourners