My strokes are halting, not like the imagined fluidity
 	of the monastic scribes, hunched, by candlelight,
 	over some ancient text, perhaps the Our Father,
 	being deftly rendered in the thin black liquid
 	of a gently dipped quill.
 	From their sublime to my ridiculous work
 	in colored calligraphy markers
 	purchased at the local drugstore.
 	But my text is the same, the Our Father;
 	except mine is printed on the inside jacket
 	of the pocket edition of a scriptural rosary book,
 	printed and published a mere forty years ago.
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