IN THIS ISSUE, Victoria Newton Ford writes about Ava DuVernay’s forthcoming movie adaptation of Madeleine L’Engle’s bestselling fantasy novel A Wrinkle in Time. As in the book, Meg Murry travels through time to find her missing father. But DuVernay, who also directed Selma (2014) and 13th (2016), adds a twist. In the film, Meg and her brother, Charles Wallace, are black. For Ford, this delivers something the novel cannot: “a hero of the universe who, in our current political space and time, is afforded the least agency.” In other words, writes Ford, “Meg is an angry black girl.”
A film that depicts a black protagonist—in all her fury, pain, and love—is especially radical, Ford explains, because America has continually “sought to conscript ... black [women] into a toolbox for the country’s deliverance.” She points to the political heroization of Oprah, Michelle Obama, and the black women voters in Alabama who defeated Roy Moore’s senatorial bid.