paradox

An Interview With Nadia Bolz-Weber

Nadia Bolz-Weber likes to have both tradition and innovation happening at the same time in House for All Sinners and Saints, a mission church she founded in Denver, Colorado, that's part of the Evangelical Lutheran Church in America.

Her church follows the ancient liturgy of the church, yet during Easter Vigil, for example, members are asked to tell the resurrection story in teams. People have made films, written original pieces of choral music and acted out scenes with Barbie dolls.

"We'll call that ancient/future church and different stuff like that, but I find that's what people are drawn to," said Bolz-Weber, who earned a master of divinity degree from Iliff School of Theology.

She has become a leading voice of the emerging church after a hard-drinking life as a stand-up comedian and restaurant worker, and has been described as a "6-foot-1 Christian billboard" for her tattoo-covered arms.

Bolz-Weber spoke with Jesse James DeConto for Faith & Leadership about communicating a historic doctrine in today's culture and holding on to something old in an identifiably Christian way. The following is an edited transcript.

Malick's Metaphysics: Creation, Being, and The Tree of Life

When evangelical politicians pronounce on topics like the origins of the universe, the results are almost always awful -- embarrassing, infuriating, unwatchable. When a reclusive, visionary filmmaker like Terrence Malick treats the same subject matter, as he does in his new movie The Tree of Life, one is transported. Which is a useful reminder that the mysteries of creation are best grappled with through art. The book of Genesis, after all, begins not with scientific description or theological argument, but with a poem.

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