interview

“I AM A storyteller,” says Daniel Beaty, “and my purpose in the world is to inspire people to transform pain to power.”

He was first inspired to share his stories when his third-grade teacher showed a videotape of Martin Luther King Jr.’s “I Have a Dream” speech. Now as a writer, actor, singer, teacher, and motivational speaker, his storytelling is expressed in a dizzying array of different forms and outlets. The week in April that Sojourners’ editorial assistant Rebecca Kraybill interviewed him, Beaty was doing daily performances in Los Angeles of a one-person play he wrote on the life of performer and activist Paul Robeson, “The Tallest Tree in the Forest” (in which he plays 40 characters and sings 14 songs) and, during the day, taping for a Ford Foundation-funded documentary on work he does with children of incarcerated parents.

This was just a fortnight after Beaty finished a six-week speaking tour in support of his memoir, Transforming Pain to Power: Unlock Your Unlimited Potential (Penguin-Random House). He’s also the author of a children’s book released in December 2013 by Little, Brown and Company, Knock Knock: My Dad’s Dream for Me, with graphics by award-winning illustrator Bryan Collier, which is an adaptation of a poem Beaty wrote about his experience growing up with an incarcerated father. “Knock knock down the doors that I could not” is one especially poignant line the father in the book writes to the son; it carries a call to healing and liberation that is found in all of Beaty’s work.

Kraybill talked with Beaty about the effects of mass incarceration on families, the power of a “theater sanctuary,” and how the arts call us toward “the capacity to do better.”

“THE CHURCH radicalized me,” celebrated author and ordained Episcopal deacon Denise Giardina once said, describing how she sees herself as both social activist and servant minister. “The phrase in the prayer book is ‘Interpret the world to the church and the church to the world.’ It’s a totally different way to advocate, with a spiritual point of view.”

This philosophy has shown up in her bestselling novels, published over her long career, such as Storming Heaven (1987) and The Unquiet Earth (1992), which chronicle the history and social impacts of coal mining in Giardina’s native Appalachia; Saints and Villains (1999), which tells the story of Dietrich Bonhoeffer’s resistance against Hitler and the Nazis; and, most recently, Emily’s Ghost (2010), a reimagining of Emily Brontë’s story and how her life was changed by her encounter with an ardent member of the clergy.

Shortly before her recent retirement from teaching creative writing at a West Virginia college, Giardina talked with Jason Howard, author of A Few Honest Words and coauthor of Something’s Rising, about her literary career, social justice activism, and her time in the late 1970s in Washington, D.C., as a member of Sojourners community (the intentional Christian community that founded Sojourners magazine and other ministries).

Tony Kriz is, in many ways, the definitive postmodern Christian. He’s a Christian writer, teacher, and he even lives in intentional community with fellow Christ-seekers. He comes from an evangelical background, and, though he claims portions of the theology of his youth, he also continues to reinvent himself as he forges the path of Christ in his cultural context.

Known first in the public eye as “Tony the Beat Poet” from Donald Miller’s bestselling book, Blue Like Jazz, he is a voice and a presence unto himself. He’s more inclined to meet friends over a beer than he is to join a particular congregation in worship every Sunday. He is both deeply embedded in the Christian conversation and cultural identity and, at the same time, a stark contrast to what tradition dictates a “good Christian” should look and act like.

I shot a handful of questions his way after a recent book discussion we conducted at First Christian Church in Portland. Here’s what he had to say.

Bio: "Khaipi" (real name withheld) is a peace studies professor in Thailand and a Chin religious freedom activist who served as researcher for the Chin Human Rights Organization's 2012 report detailing abuses against ethnic and religious minorities in Burma.chro.ca

1. What is at the root of the persecution of Christians in Burma?
There is an unwritten policy called “Burmanization,” which means that to be Burmese you have to be a Buddhist and you have to speak Burmese. The Chin people are not allowed to practice Christianity, and we are not allowed to study our own ethnic languages. But it’s not all about religion: They are attacking our ethnic identity because Christianity has become our identity.

Before Christianity came to the Chin people, they practiced an indigenous religion. In this religion, they believed in an Almighty One who created the world. In 1899, the very first American Baptist missionaries came to Chin state, and when they talked about the Christian God, our forefathers could adopt it very easily because it was very close to that indigenous belief. Today, when the Burmese military junta persecutes us, they say, “Okay, we want to take out this kind of Western religion.” But for us, once we believed in God, it became our religion, not a Western religion anymore.

IN 1900, long-simmering resentment over increasing foreign presence and exploitation in China boiled over into a full-scale uprising, the Boxer Rebellion. It was spearheaded by the “Righteous and Harmonious Fists,” a peasant secret society whose members practiced martial arts—Westerners, observing their exercises, dubbed them “Boxers.” The Boxers targeted foreign officials, merchants, and missionaries, as well as Chinese Christian converts.

Comic book author and artist Gene Luen Yang illuminates two very different fictional perspectives on this conflict in his new two-volume graphic novel Boxers & Saints: The first volume, Boxers, tells the story of Bao, a boy who becomes a Boxer leader after seeing ongoing abuse by Westerners; Saintsfollows Four-Girl, an unwanted daughter who converts to Catholicism, takes the name Vibiana, and must flee the Boxers.

Yang’s 2006 work American Born Chinese was the first graphic novel to both win the Michael L. Printz Award for excellence in young adult literature and to be nominated for a National Book Award. He lives in Oakland, Calif., and teaches in the Hamline University MFA program in writing for children and young adults. Sojourners senior associate editor Julie Polter interviewed Yang in July. Boxers & Saints releases in September from First Second Books.

Julie Polter: The characters in Boxers & Saints are driven by varied combinations of ideology (patriotism, cultural imperialism) and mysticism/faith. The flaws and virtues of different beliefs seem to mirror each other. What led you to this complicated story?

Gene Luen Yang: The genesis of the project was out of my own conflicts. I majored in computer science in college and minored in creative writing. I had a professor who was also a novelist, Thaisa Frank. I remember visiting her during office hours and talking to her about my struggles with writing about issues of faith. Faith, especially in college, became very important to me; it became a critical part of how I saw my place in the world. It was really hard for me to put something authentic on the page. Her advice to me was, essentially, you have to write your life and live your faith—you don’t ever try to write your faith, because it will come out funky. That’s the advice I’ve tried to follow ever since.

THE 2011 REVOLUTION that led to the ouster of Egyptian President Hosni Mubarak signaled hope and liberation for the people of Egypt. But many Egyptians and others fear that President Mohamed Morsi, in his actions to consolidate power and quell opposition, has become “Mubarak with a beard.”

Sen. Ehab El Kharrat, a psychiatrist and Christian member of the Shura Council, Egypt’s upper house of Parliament, still looks to his country’s future with hope. Kharrat talked with Mary Theresa Webb early this year while the senator was in Washington, D.C., for the National Prayer Breakfast. Webb is the founder of the GOAL Project, a U.S.-based organization that provides addiction recovery training for churches and communities around the world, including Egypt.

—The Editors

Mary Theresa Webb: You are one of three Christians elected to the Egyptian Parliament. Could you describe why you decided to run for office? How does your Christian faith influence your work?

Ehab El Kharrat: I was elected by both Muslims and Christians to serve the whole people. I stand for love and freedom, and I think these are the things my savior and Lord Jesus stood for. My political involvement is not about the rights of the Christian minority in Egypt, but about the rights and dignity of all.

We on the Shura Council have received threats from violent groups, Muslim extremists, and the secularist terrorist group called the Black Bloc, who wear black masks and defend secular protesters with violence. I once stood up in a human rights session and said that I may be threatened and killed, but I will not accept the Black Bloc members’ violence and pledged all to refrain from such violence. If I die, I die. But I want to keep our revolution peaceful.

I like to think that the spirit of Christ is the spirit of justice, freedom, and love. One of my heroes, Charles Grandison Finney, the 19th-century New England theologian and revivalist, said [paraphrase], “Revolution is inevitable if the virtue or wisdom of the people exceeds that of its rulers, or if the vice and ignorance of the people exceeds that of its rulers.” I like to think that the first half of his statement applies to the Egyptian revolution.