taboo

Stormy Daniels is interviewed by Anderson Cooper. CBSNews/60 MINUTES/via REUTERS

At the time, authors like conservative political activists Tim and Beverly LaHaye and Focus on the Family founder James Dobson acknowledged that porn was a problem that Christians (almost always men but on occasion women) faced. Their writing focused on how pornography harmed marital relationships and personal well-being. At the same time, however, it described how devout Christians may be pornography consumers.

Image via RNS/Brian Pellot

Amazigh was one of 125 queer Muslim activists and allies who came together for The Inner Circle’s seven-day Annual International Retreat, from Oct. 14 to Oct. 21, in South Africa. The gathering focused on “building a movement towards an all-inclusive and compassion-centered Islam,” a mammoth task for attendees like Amazigh who live in countries where homosexuality and transgender expression are often taboo and criminalized.

Rebecca Kraybill 1-05-2014

THE WOMEN IN Talking Taboo: American Christian Women Get Frank About Faith aren’t just frank. They are courageous, clever, and wildly passionate.

This anthology, edited by Erin S. Lane and Enuma C. Okoro, asks 40 women under 40 to respond to the question, “What taboos remain in the church at the intersection of faith and gender?” The result is a collection of stories by women of faith (Baptist, Presbyterian, Mennonite, Catholic, Unitarian Universalist, and more) in a variety of roles (pastor, mother, writer, teacher, student, and more).

The women share times they have felt shamed, alienated, discouraged, or alone as women seeking a home in the church. From addressing domestic violence to lust to pregnancy to the role of a woman pastor’s body, the stories are raw in the way first-person narrative calls upon honesty and vulnerability to trump perfect prose or style.

Anthologies often stick to one structural extreme: Either they are rigid and theme-driven, or loose and nomadic. Talking Taboo follows the latter. Lane’s introduction promises no arc of narrative, no solid take-away message. The stories are here, she writes, because women are agreeing to “speak for ourselves.”