Showtime
From Nothing Compares
The Sinéad Effect
Nothing Compares documents the tumultuous career of Irish musician Sinéad O’Connor. On live TV in 1992, O’Connor protested child abuse in the Catholic Church, nearly a decade before papal acknowledgment. Her actions jeopardized her career, but she clung to music as a form of healing.
Showtime
"Dexter" image via Wylio http://www.wylio.com/credits/Flickr/3484952865.
I’ll admit I’m a sucker for stories about the malleability of human morality. From the mob movies, where a guy can whack his cousin but better not show his Patron any “disrespect,” to justice-seeking serial killers like “Dexter,” there’s plenty of justified violence to be found.
Where do such seemingly contradictory value systems come from? And do they actually happen in the real world today?
How about the politician who claims a platform that values a respect for “all life,” while justifying war and advocating for capital punishment? Or those who celebrate the death of Osama Bin Laden and Saddam Hussein? And the list goes on.
It’s common in western culture to objectify the Islamic faith, cherry-picking texts from their scripture and plucking choice sound-bytes from extremist leaders, to portray the whole of the religion as inherently violent. This, in turn, is employed to justify violence in-kind, or worse, preemptive violence, as in the case of our invasion of Iraq.
I call this “Dexter” theology.