conspiracy

Outside of the sanctuary at Congregation Beth Israel in Austin on Nov. 1, 2021. Late the night before, a fire was set at the synagogue. Franklin Barrett Sechriest, then a student at Texas State University in San Marcos, was charged in the incident. Michael Gonzalez/The Texas Tribune

As other kids in Austin, Texas recovered from trick-or-treating on Halloween last year, Sarah Adelman worried about white supremacists, her mom, and their synagogue. After a series of antisemitic incidents around Central Texas, someone set fire to Congregation Beth Israel, where Sarah’s mother, Lori, is a leader.

Gareth Higgins 12-12-2013

THE MOST common image of the assassination of President Kennedy is embedded in the collective consciousness due to the fact that it was the subject of what may be the most-seen film in history, Abraham Zapruder’s 26-second home movie, grainy and garish in color and fact. The more recent eruption of reality television may have left us nearly unshockable, but a long, hard look at Zapruder’s short, hard film is still horrifying. The most provocative context in which I’ve seen the film located is Stephen Sondheim’s meaty musical Assassins. The Broadway production had Neil Patrick Harris as Lee Harvey Oswald with the film projected onto his white T-shirt. That the show took place at Studio 54 served to underline the demonic bargain at the intersection of the military-industrial-circus complex: The nightclub theater location satirized the fact that our stories about killing can either critique the cultural appetite for destruction or serve to perpetuate more of it as a form of entertainment.

If Assassins was the most provocative screen for the Zapruder film, the most politically complex is Oliver Stone’s 1991 movie JFK, now being rereleased to mark the assassination anniversary. It’s one of the greatest examples of cinematic craft applied to polemic (current examples are Captain Phillips and 12 Years a Slave)—edited like a dance, with a television miniseries’ worth of big name actors (Jack Lemmon, Sissy Spacek, Walter Matthau, Donald Sutherland, John Candy) in small roles holding up the edifice of big speechifying done by Kevin Costner and Tommy Lee Jones. It’s a thrilling film, and it has intellectual substance—the point is not whether or not the conspiracy theory posited in JFK is true, but that human beings “sin by silence” when we should speak.

The Editors 11-12-2013

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Sheldon Good 11-05-2013

CHRISTMAS, ON THE surface, looks like the most wonderful time of year—the season of love, lights, carols, candles, and family reunions, the time when Christians celebrate the birth of Jesus Christ. Look a bit deeper, though, and one might notice a more idolatrous narrative shining just as brightly: consumerism.

From Black Friday to New Year’s Day, we are inundated with the commercial demands of Christmas. For many, the list of things to do and gifts to purchase can seem endless. We buy into the mantra that the more money we spend, the more love we convey. We become lost in crowded stores, endless websites, and credit card debt. Christians often struggle to faithfully observe Advent, a time of waiting and preparation for the miraculous birth of Jesus.

While many of us purchase this spurious version of Christmas, a new movement has been born. It’s called Advent Conspiracy (AC), and its participants are seeking to turn Christmas upside down by exchanging consumption for compassion.

“Advent Conspiracy is not a four-point checklist on how to do Christmas. If anything, it’s a chance for us to rediscover the wonder and the mystery of the incarnation and what that means to us personally and what that might mean for the world,” said Greg Holder, lead pastor of The Crossing church in the St. Louis area.

Respected news outlets unwittingly sent a lie around the world on Sept.12: a Jew backed by 100 Jewish donors made a film insulting Islam's Prophet Muhammad.

Within a day, the lie unraveled. But the damage to the Jewish community had been done, and Jews will continue to suffer for it, say Jewish civil rights leaders. 

“This is another blood libel that’s in place,” said Rabbi Abraham Cooper, associate dean of the Simon Wiesenthal Center, referring to a history of conspiracy theories that has fueled anti-Semitism for centuries.