The most controversial sentence I ever wrote, considering the response to it, was not about abortion, marriage equality, the wars in Vietnam or Iraq, elections, or anything to do with national or church politics. It was a statement about the founding of the United States of America. Here’s the sentence:
"The United States of America was established as a white society, founded upon the near genocide of another race and then the enslavement of yet another."
The comments were overwhelming, with many calling the statement outrageous and some calling it courageous. But it was neither. The sentence was simply a historical statement of the facts. It was the first sentence of a Sojourners magazine cover article, published 26 years ago titled “America’s Original Sin: The Legacy of White Racism.”
An extraordinary new film called 12 Years a Slave has just come out, and Sojourners hosted the premiere for the faith community on Oct. 9 in Washington, D.C. Rev. Otis Moss III was on the panel afterward that reflected on the film. Dr. Moss is not only a dynamic pastor and preacher in Chicago, but he is also a teacher of cinematography who put this compelling story about Solomon Northup — a freeman from New York, who was kidnapped and sold into slavery — into the historical context of all the American films ever done on slavery. 12 Years is the most accurate and best produced drama of slavery ever done, says Moss.
In her New York Times review, “ The Blood and Tears, Not the Magnolias,” Manohla Dargis says, 12 Years a Slave “isn’t the first movie about slavery in the United States — but it may be the one that finally makes it impossible for American cinema to continue to sell the ugly lies it’s been hawking for more than a century.” Instead of the Hollywood portrayal of beautiful plantations, benevolent masters, and simple happy slaves, it shows the utterly brutal violence of a systematic attempt to dehumanize an entire race of people — for economic greed. It reveals how morally outrageous the slave system was, and it is very hard to watch.
A group of female senators came to the rescue in Washington last week, helping forge a bipartisan compromise that ended the budget crisis. How did they do it? “We like each other,” Sen. Amy Klobuchar told Time. “We work well together and we look for common ground."
When we consider the typical church worship service in the United States, we discover certain trends. Lament and stories of suffering are conspicuously absent. In Hurting with God, Glenn Pemberton notes that laments constitute 40 percent of the Psalms, but in the hymnal for the Churches of Christ, laments make up 13 percent, the Presbyterian hymnal 19 percent, and the Baptist hymnal 13 percent.
Christian Copyright Licensing International (CCLI) licenses local churches for the use of contemporary worship songs. CCLI tracks the songs that are employed by local churches, and its list of the top 100 worship songs as of August 2012 reveals that only five of the songs would qualify as a lament. Most of the songs reflect themes of celebratory praise: “Here I Am to Worship,” “Happy Day,” “Indescribable,” “Friend of God,” “Glorious Day,” “Marvelous Light,” and “Victory in Jesus.”
How we worship reveals what we prioritize. The American church avoids lament. Consequently the underlying narrative of suffering that requires lament is lost in lieu of a triumphalistic, victorious narrative. We forget the necessity of lament over suffering and pain. Absence doesn’t make the heart grow fonder. Absence makes the heart forget. The absence of lament in the liturgy of the American church results in the loss of memory.
Studios and filmmakers are rediscovering a classic text as source material for upcoming mainstream films: the Bible.
Nearly 10 years after the blockbuster success of Mel Gibson’s “The Passion of the Christ,” which earned $611.9 million worldwide, studios are looking to the Good Book for good material.
Alongside the string of upcoming Bible-related films, producers from the History channel’s “The Bible” miniseries just announced that the series’ film adaptation “Son of God” will be released in theaters nationwide in February with 20th Century Fox.