catholic worker movement
A protest sign is planted along the pipeline route during a protest against the Dakota Access pipeline near the Standing Rock Indian Reservation in St. Anthony, N.D., U.S. Nov. 11, 2016. Credit: Reuters/Stephanie Keith.
On the night of the 2016 presidential election, Jessica Reznicek, a Catholic Worker and water defender, began her “peaceful direct action campaign” against the Dakota Access Pipeline. Along with activist Ruby Montoya, they burned five pieces of heavy machinery in Buena Vista County, Iowa. From there, armed with an oxy-acetylene cutting torch, Reznicek went on to other pipeline construction sites and pierced through the empty steel valves, sabotaged electrical units, and burned other heavy equipment. In a 2017 statement, Reznicek wrote, “We acted for our children and the world that they are inheriting is unfit.”
Following her actions, Reznicek was arrested. She pled guilty to one count of “conspiracy to damage an energy facility,” but in the months following her court date, prosecutors persuaded the judge to add additional charges labeling her a “domestic terrorist.”
From Children of the Underground
Children of the Underground
After seeing the courts return many children to allegedly abusive fathers, Faye Yager created an underground network that hid hundreds of mothers and children. The five-part docuseries Children of the Underground shows the moral complexity of Yager’s vigilante justice. Hulu/FX
IN DOROTHY DAY: The World Will Be Saved by Beauty, author Kate Hennessy, Dorothy Day’s youngest granddaughter, gives a deeply intimate and highly credible account of her grandmother, a writer, social activist, and co-founder of the Catholic Worker movement with Peter Maurin in the 1930s. Hennessy explores themes of integrity, vocation, and community, portraying Dorothy Day honestly in her gifts and faults. But the most powerful thread is raw beauty that links together the author to her grandmother, strangers to one another, and people to God.
Day’s life was often complicated and marked by loss. Nonetheless her worldview was postured toward the words of poet Max Bodenheim: “I know not ugliness. It is a mood which has forsaken me.” Queen Anne’s Lace growing in the city, spinning wool with her grandchildren, her love for the father of her only child, standing in a breadline with seamen, or walking along the shore are all examples of the beauty that both guided and followed Dorothy Day.
Day, who was born in 1897, wasn’t yet a Catholic when she moved to New York City from Illinois in 1916 in pursuit of a writing career. She mingled with writers, artists, and radicals and was active in the social movements of the time. Hennessy notes that Day “was not always the clear-eyed visionary that we now see her as.” Day considered her life “disorderly” and moved from job to job, from one lover to another; she tried to commit suicide on two different occasions.
But even before Day knew God, she knew that God was leading her. She said, “I cannot help my religious sense, which tortures me unless I do as I believe right.”
It was surprising to see Dorothy Day, founder of the Catholic Worker movement, described on the Glenn Beck show as a Marxist.