It’s hard when you’re the one who has had to go through it. And that’s tough — it’s tough when you can pour your heart out to someone and they’re angry or not willing to listen to what you have to say. My hope is they’ll be willing to have a conversation, with compassion and love, even when they don’t understand.
Counseling a gay person to deny his same-sex attraction, to marry a woman, to raise children with her; and then to condemn him when he discovers years later what a futile plan that was — this is not the kingdom of God. What it is is the kingdom of a particular interpretation of the Bible, the kingdom of a theological system turned in on itself, of religious people who, like the older brother in Jesus' story of the Prodigal, refuse to believe that God could be so extravagant with grace.
Trey Pearson, front man and creative mind behind the band, Everyday Sunday, is in many ways the picture of a successful Contemporary Christian Music artist. He’s toured the world, played to thousands of fans at a time and sold hundreds of thousands of records. So I was intrigued when I sat down with him at the recent Wild Goose Festival in North Carolina to learn more about why this icon of Christian pop was going solo with his most recent record.
How did you get started in the Contemporary Christian Music (CCM) scene?
I was introduced to the scene as a teenager, finding out that people listened to "Christian music.” I started going to "Christian concerts,” and was inspired to write my own songs and have a band. I was already into performance art as a teenager from doing theater, musicals, acting, and modeling for commercials, print, and things of that nature. I grew up teaching myself piano, and was intrigued by the idea of playing songs for people.
Given my background, I felt like I needed to do "Christian songs" to glorify God with my art. Long story short, after opening for several signed artists, I dropped out of college (after being on honor roll through my freshman year) to make an independent album and pursue a record deal. I went to Nashville, and knocked on doors until someone would listen. I signed a deal three months after I released my independent album.