Vampire Weekend are a little like a college-educated version of the rich young ruler in Mark 10. I say a little because, despite the fact that they have gotten flack for being “privileged, boat shoe and cardigan loving Ivy League graduates,” the New York-based foursome actually probably aren’t as wealthy as skeptics think, and the late 20-somethings probably haven’t been as straight edged as the rich young ruler. I mean, they’re rock stars. And even though they went to Columbia University, rock stars aren’t widely renowned for their moral rigidity.
But on Vampire Weekend’s third album, Modern Vampires of the City, which was released last month to critical acclaim and commercial success, we find lead singer Ezra Koenig asking honest questions of God, much like the young ruler.
On this album, the third in what Koenig sees as a trilogy, Vampire Weekend manage to mature their poppy, eclectic sound, drawing from all sorts of genres and international songs — as they normally do — but also exploring deep questions of morality, love, faith, and belief in complex ways.
I always notice something when speaking to a mostly secular audience. Many people have been so hurt or rejected by the bad religion in which they were raised or have encountered elsewhere over the course of their lives, and, quite understandably, they are skeptical and wary of the faith community. But when someone looks like a faith leader (this is where the ecclesial robe helps ) and says things that are different from what they expect or are used to, their response is one of gratitude and the moment becomes an opportunity for healing.
After I spoke Sunday and joined the circle around the White House, person after person came up to me to express their thanks or simply to talk.
My favorite comment of the day came from a woman who quietly whispered in my ear, "You make me almost want to be a Christian."