I’ve heard it said that you don’t know true love until you hold your baby for the first time. I hate that, for so many reasons. And I hate whoever has said it to me or anyone else. Hate it.
This may come as a shock, but I’ve got the slightest anger issue. It’s more accurate to say I didn’t know true anger until I became a mother.
There’s the daily anger, like slaving away in the kitchen for hours only to have people gag and demand crunchy toast and cookies to eat, while they scream and scratch their sister and slip on spilled water and cry for hours. There’s the hourly anger, like the struggle between wanting to check out and check e-mail in the face of little people wanting to play or needing to be disciplined.
I liked this film so much I've already seen it twice. Moonrise Kingdom is so good, in fact, I almost couldn't bring myself to write about it for fear of not doing it justice.
And yet, since I first took my 11-year-old nephew, Ethan, to see it last month, I've been talking about Moonrise Kingdom nonstop, encouraging everyone I know to go see it. It has captured my imagination completely, an absolute tour de force — wholly original and an "instant classic," as I heard one film critic utter tell a companion on his way out of the theater.
Perhaps Ethan, a mythology buff who's never met a fantasy film he didn't like, put it most eloquently when he said (surprising no one more than himself), "That was the best film I've ever seen."
Moonrise Kingdom is director Wes Anderson's seventh feature-length film to date. In an iconoclastic cinematic oeuvre unrivaled among filmmakers of his generation, Anderson's latest stands above the rest of his stellar films — Bottle Rocket, Rushmore, The Royal Tennenbaums, The Life Aquatic with Steve Zissou, Fantastic Mr. Fox and Darjeeling Limited — as an eloquent, funny, enduringly poignant homage to childhood and, moreover, to innocence.
In a word, the film is perfect. I wouldn't change a thing.
A friend of mine — one who’s wiser and kinder and more thoughtful than I — knows the difficult, painful unweaving I’m talking about. She, too, was carroted down the rabbit trail of a hope-filled future shared with someone, only to discover her bed was left just as cold as the promises she’d so earnestly trusted.
“Falling in love is totally magical and beautiful and gives you this insane ability to operate on 4 hours of sleep a night for a long time,” she said. “It chooses you and that gift is one of life’s best ones. You have to choose it back, though.” She paused, her voice cracking, and I knew she meant it. “At some point, you become more real to each other and the hard work sets in. So you try and try, and even then, sometimes it doesn’t work out. And when that happens, you’ll be ok.” I was looking at her across the table.
“Just let it be sad,” she concluded. “Ironically, sadness will be your guide out of sadness.”