Praise God, from whom all blessings flow;
Praise [God], all creatures here below;
Praise [God] above, ye heavenly host;
Praise Father, Son, and Holy Ghost, Amen.
Words by Thomas Ken (1674)
The Doxology was my favorite hymn growing up. We would sing it every Sunday in church at the end of the service, mostly a cappella. I was amazed at the different harmonies and range in which the hymn could be sung. I loved how simple the words were. But I did not understand the words fully until well into my adult life. As a kid, I immediately disregarded things like animals, plants, insects, and fish as creatures that could praise God. Surely the act of praising God is only reserved for the sentient beings, with a conscience and the ability to say in words “praise God.” No way would God receive the praises of a mosquito, or fern or cat or pig.
It took the glory of creation itself for me to fully understand the words of the Doxology. A year out of college, I was sitting on a kayak in the middle of Doubtful Sound, New Zealand surrounded by snowcapped peaks that dropped right into the water. The sun was shining, dolphins were swimming nearby, and the birds were chirping. Then the song hit me “Praise God, all creatures here below.” I could hear the songs of praise from his non-human creatures. It finally dawned on me that my songs of praise paled in comparison to the winds that touch the peaks of mountains, the perfect songs of birds and the language of dolphins. They are all songs of praise!
The ubiquitous praise song “Shout to the Lord” can be found in many churches across the U.S. on any given Sunday. What fewer people realize is that it comes from a church in the outskirts of Sydney, with a Hillsong brand that is spreading across the globe.
Hillsong Church has combined Christian rock, charismatic energy, and Australian accents to create a winning combination in major cities across the globe. On Sunday at their main campus just outside of Sydney, children and adults swarmed a petting zoo for children and coffee stations outside the glass entrance as volunteers gave out balloons celebrating the 30th anniversary of one of the most globally influential churches.
If I were given one word to describe New Zealand singer-songwriter Kimbra, probably best known for singing the female part on Gotye’s “Somebody That I Used to Know,” it would be eccentric.
But that word is based almost entirely on her live show, where — after dimming the lights and playing the theme for The Godfather over the 9:30 Club’s speakers on Tuesday — Kimbra walked onto the stage, decked out in sleek elevator shoes, a fluffy dress laden with glitter and color (which eventually became a tutu), and what looked like pom poms draped over her shoulders. She would’ve looked even more out of place if her drummer wasn’t rocking a sweet high top fade.
But, even though concerts are performances — and as such necessitate an element of spectacle — the music obviously remains the reason people flock to see their favorite musicians.