Earlier this year, Tripp Hudgins wrote a piece declaring that all his favorite theologians are dying. He listed David Bowie and Pete Seeger as two theologians whom he felt sang “real theology about a real God” during their lifetimes. Others would later add Prince and Phife Dog and Sharon Jones to their lists of songwriters who spoke lyrics of truth in a broken world and who are no longer with us. Leon Wieselthier described his friend Leonard Cohen as “the lyrical advocate of the finite and the flawed” in a beautiful eulogy in the New York Times just the other week. Could a musically gifted person of any faith be honored with better words than those?
Eileen Guenther, the national president of the American Guild of Organists, reveals behind-the-scenes church struggles in her new book, Rivals or a Team?: Clergy-Musician Relationships in the Twenty-First Century.
Guenther, an associate professor of church music at Washington’s Wesley Theological Seminary and the former organist at Foundry United Methodist Church, talked with Religion News Service about her findings and advice. Some answers have been edited for length and clarity.
Q: You titled your book Rivals or a Team? From your research, which is a better description of most clergy-musician relationships?
A: I would say that rivals may well be the most prevalent, but team is our aspiration.
Q: Why is it so difficult for musicians and ministers to sometimes get along and not have an intense rivalry?
A:. Part of it is lack of understanding of roles. Part of it is control. Each of us is used to kind of being in control in our area, but sometimes if the roles haven’t been clarified, then the control issues become simply that, rather than sorting out, 'OK, who’s going to choose the hymn?' That’s one of the really big issues.