I’m not offering this as consolation to those who have lost someone they love, but as a warning. What’s true of those we love may be just as true of those whom we hate and fear: we become like what we worship, and we worship what we cherish in our hearts.
When people commit monstrous deeds, it is hard not to turn and stare in horror. Think about how hard it is to pull your eyes from the television even when none of the news is new, just the same breathless commentary about what we don’t yet know, what we still don’t understand about the latest act of terror.
When the monsters and their violence become our focus, they grow and become our gods. We’ve become very good at hurting one another, so of course we need to be vigilant. But it’s possible to take our fear too far, to let our natural reaction to sudden violence become a permanent policy of suspicion and terror. Then we are in danger of worshiping our would-be enemies. We don’t worship them joyfully, but we worship them anyway, the way we might worship any vengeful, unstable, wrathful gods: looking over our shoulders and fearing their power. If the best we can come up with is invective against immigrants, suspicion of people unlike us, and perpetually heightened security measures, it starts to look like our hearts are full of fear.
During all my reading about Robyn and Lady Gaga I came across some stuff about Lady Gaga that I found interesting, theologically speaking. As I told Jana over the summer, "I'm sort of developing a theological curiosity about Lady Gaga." Jana asked, "How so?"
Well, Lady Gaga calls her fans "monsters." Or "little monsters." And by that she means freaks--the odd, the weird, the lonely, the rejects, the nerds, the castoffs. And you can't help but wonder, in light of the gospels, about that demographic. In my book Unclean I have a chapter on monsters. And I've written about the theology of monsters on this blog. Consequently, Lady Gaga's use of the label "monsters" caught my attention.
Because as I've written, the category "monster" is charged with ambivalence. On the surface the monster is a normative threat--a defilement, a degradation, a location of moral and communal harm. Thus, monsters are expelled from community. And yet, most monster stories suggest that the monster is often a scapegoat. That the monster is more victim than victimizer. Underneath, if we could but see it, the monster is one of us.
So it's theologically apt that Lady Gaga uses the category monster for her fans. Because she's targeting a group that has been cast out of society. Again, she's explicitly embracing the freaks, weirdos and social outcasts. But Gaga, like in the monster stories, has flipped this and made the label "monster" a term of affection, welcome, embrace, community, inclusion and hospitality. (The diminutive "little" signals the playful affection.) This parallels my own interests in Unclean--Can we show hospitality toward monsters? So I'm intrigued by Gaga's community of "little monsters."