I pre-screened 12 Years a Slave the same weekend I saw Gravity. The two films couldn’t be more different, although they do have some fascinating (if not immediately obvious) commonalities.
As for commonalities, they’re both powerful and both deserve to be seen. Both are about people trying to get home — one, in a harrowing adventure that takes several hours, the other in an agonizing 12-year struggle. The protagonists of both movies demonstrate heroic resilience and courage. One struggles with physical weightlessness, the other with a kind of social or political weightlessness.
Although Gravity impressed and fascinated me, 12 Years a Slave affected me and shook me up. Now, several days later, scenes from the film keep sneaking up on me and replaying in my imagination — three in particular.
Reviews of the new hit movie Gravity note that it’s an unusually fine science fiction film. What they don’t mention is that the main character represents an increasingly common theme in American religion: The spiritual “none of the above.”
Yes, the special effects are splendid. And I’ll take the word of astronauts who say the visuals capture amazingly well what it’s like to work in the microgravity of near-Earth orbit.
But there are moments where spiritual and philosophical themes take center stage.
(Spoiler alert: I’ll give no more away than I’ve seen in most reviews, but if you really want to know nothing about the movie, see it first.)