I’ve never been more aware of my brokenness than in motherhood. Yes, I’m sinful and bent toward destruction (not unlike my toddler, it’s worth noting). But my brokenness also plays out in a general reality that I’m not quite in working order.
Like a tricycle with a wobbly wheel, I just can’t get the job done gracefully. I leave laundry in the washing machine for too long, I meal-plan for only three days out of the week, I forget to brush hair and wipe faces for picture day. It’s not graceful, but it is grace-full.
Figures in nativity scenes are pretty weird, aren't they? This is true of most manger scenes, whether we’re talking about the ceramic one under a tree or the statuesque one in a church or the plastic one on a lawn. First off, there’s Mary, always looking very fresh and calm and full of reflection — which is quite impressive considering that she just gave birth without any sedative. Then there’s Joseph, doing some kind of man-thing off to the side — holding a lantern or a large stick. He looks totally composed, too.
And there’s the baby Jesus with a full head of hair, wide-open eyes and arms outstretched like he’s ready to belt out a song.
Not to ruin anyone’s Christmas spirit here, but what the heck?
If our manger scenes were realistic, Mary would be recovering from a painful labor full of sweat and blood, with a look on her face that’s anything but serene. And Joseph — wouldn’t he be a nervous wreck, too? His hand too shaky to hold a lantern?
And about that newborn. Shouldn’t he be red-faced and screaming? Eyes clenched closed and wisps of hair stuck to the top of a head that‘s still odd-shaped from all the squeezing?
Instead, we’ve sanitized and romanticized it. We’ve removed all the blood and sweat and tears and pain and goo. It’s no longer something real. We’ve left out all the messy parts. The oh-my-God-what-now parts. The I’m-screaming-as-loud-as-I-can-because-it-really-hurts parts. The oh-no-I’ve-stepped-in-the-animal-droppings parts.
The real parts.
In reading some of the responses to my last post Embodied Theology, I was reminded of an essay I wrote for a class last semester, so I've rewritten part of it as a blog post to help clarify my position.
Embodied theology is rooted in the doctrine of creation. Why did God create us? As some have proposed, God couldn't not create or love us -- it's just part of God's nature. As a relational giver and lover within the Trinity, God couldn't help but be the same thing in relation with humanity. Who we are comes from God. We are not by nature sinful broken creatures, but creatures shaped in the very image of God.
Yesterday afternoon I found out that ABC news plans to dedicate it programming today to "Hunger at Home: Crisis in America." It precipitated my writing of this post which I had planned to add as a later addition to a series on tools for prayer.
One important item in our prayer toolkit is knowledge of our hurting world. Not knowledge for the sake of knowledge, but knowledge that equips us to respond. Becoming aware of the needs in our world can lead us into a deeper understanding of the ache in God's heart for our hurting friends and neighbors. It can also connect us to our own self-centered indifference that often makes us complacent when God wants us to be involved. And it can stimulate us to respond to situations that we once felt indifferent to.
photo © 2007 Laura Askelin | more info (via: Wylio)Though I like a rousing round of ave maria's as much as the next person, the past few centuries of church prayer trends have eschewed Latin in favor of the vernacular -- that is, the language of the people. And to the tune of 450 million copies in more than 70 translations (and counting), it's clear that people the world around speak the language of Harry Potter. Or rather, the story of Harry Potter speaks to them.
So as I watched the final Hogwarts Express depart from Platform 9¾ in Harry Potter and the Deathly Hallows, Part II this past weekend (slightly teary-eyed, I confess), I started to wonder: What might it sound like to pray in the language of Harry Potter -- language that clearly resonates with folks around the world? Would it be cheesy? Probably. Profane? Perhaps. But I figured the God who relied on earthly parables about wineskins and fig trees to explain the Kingdom would understand.
This week my friend Sara reminded me that the really amazing thing about 1 Corinthians 13 is that even hundreds of thousands of schlocky wedding and inspirational posters and bad Christian coffee mugs can't kill it. Paul's hymn to love is perhaps one of the most recognizable texts in the New Testament. And it is really beautiful