IT WAS THE first week of November 2012, and Bruce Springsteen was busy helping nail down a few swing states for President Obama. In the process, he expressed more enthusiasm than I could ever muster for the man who put Tim "The Fox" Geithner in charge of our financial hen house. But political quibbles aside, I remain convinced that what Springsteen actually does for a living is more important to the life of our country than the work of any living politician, and I saw living proof that very same week.
On the Saturday night before Election Day, Springsteen and his E Street Band dropped into Louisville, Ky. Of course, my wife, Polly, and I had to go, and we had to take our 12-year-old son, Joseph, who has become the fourth Springsteen-obsessed member of our family. It was my fifth time to see the show, and ever since I've been thinking of the poem in which Allen Ginsberg asked America, "When will you be worthy of your million Trotskyites?" Paraphrasing Ginsberg, I ask today, "America, when will you be worthy of your E Street Band?"
To me, going to see the E Street Band has become something like going to see a natural wonder, like Yellowstone or Mammoth Cave or, more to the point, the California redwood forests: Like the redwoods, it's growing older. The bark gets rougher by the decade, and some branches break off and fall to the earth. But Springsteen's great tree of American music is still growing in stature and substance. The band has become a cultural institution that spans races, genders, and generations and fittingly represents the sacred American musical tradition that has grown from the work songs, ring shouts, and spirituals of the slaves.