Lifeline, by Ben Harper

Ben Harper is known for songs that are either personal or political, and in Lifeline, his latest release with the Innocent Criminals, the songs embody both. In each of the album’s 11 tracks, Harper plays with themes of humanity, our individual and collective experiences, using a mixture of soul, R&B, gospel, rock, and the blues. “Fight Outta You,” the lead track, is full of imperatives to hold on to what each of has—pride, self-respect, and the will to survive.

The mood and tone of the album will appeal to fans of Blue Note recording artists Norah Jones and Amos Lee. Like them, Harper em­braces a singer-songwriter’s dedication to powerful, poetic lyrics and a blues musician’s exploration of musical variation in mood and tone. While Harper’s work holds its own among his contemporaries, the music on Lifeline , all written by Harper and his quintet, conjures the soul, funk, and blues-inspired artists of the ’60s—particularly those who recorded for Memphis-based Stax Records, such as Otis Redding, Mavis Staples, Sam & Dave, and Booker T. and the MGs.

Sam & Dave surely would have rocked to the quick, charged guitar riff on “Put It On Me,” Lifeline’s eighth track. The guitar and accompanying piano, by Michael Ward and Jason Yates, and backup vocals evoke the sound of a musical era that can’t be separated from its politics. In “Heart of Matters,” backup vocals, organ, piano, and rhythm sections embolden Harper’s personal, soulful plea. The sound will appeal to Redding fans, but the lyrical phrasing is unmistakably Harper: “You can’t just say I love you / You have to live I love you … I wish I could find a way / To sing the life back into you and I.”

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Sojourners Magazine February 2008
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