Works of Economic Fiction

JAMES DOBSON and Kurt Bruner get three things right in their recent novels Fatherless and Childless: Euthanasia is wrong, married couples should make time to have hot sex, and stay-at-home moms should get some respect.

Pretty much everything else in the novels, the first two-thirds of a trilogy (book three, Godless, is due out in May 2014), is way off and internally incoherent. The plot starts in 2042, when an aging population and economic malaise have motivated the government to legalize euthanasia. Businessman Kevin Tolbert, recently elected to Congress, lectures his peers about the need to stop euthanasia and encourage parenthood in order to revive the economy. His wife Angie’s high school friend Julia Davidson, an allegedly progressive and feminist reporter, is assigned to write a story about him (lecture alert). Meanwhile Kevin and Angie struggle (with mercifully few lectures) with their third child’s diagnosis of Down syndrome. Subplots deal with a disabled teen and an elderly dementia victim who turn (or are pushed) to euthanasia.

Actual euthanasia, as disability-rights groups such as Not Dead Yet have documented, often turns on society defining “dignity” according to physical ability and health instead of the innate value of a human being. These novels, however, ask us to believe the main impetus for euthanasia would come from the drive to reduce the federal deficit, to deal with “swelling entitlement spending.”

What spending? The novels’ elderly and disabled characters are drawn or pushed toward euthanasia because of family financial troubles: There is no mention of any Social Security, Medicare, or Medicaid help going to any of them.

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