SINGER-SONGWRITER Caroline Herring was completely naked when she truly found God.
Straight out of college, she spent three months as a missionary in China. “I was so ill-equipped,” she says now, over tea just before a show in Knoxville, Tenn. “The program was respectable—we weren’t Bible smugglers, but obviously we had an agenda.”
One of her students—a woman who had journeyed seven hours to attend English classes Herring was teaching with her fellow missionaries—took a liking to her and asked if she would leave the comfort of her air-conditioned room (with a private toilet) to join her students at the dirty, crowded bath-house, outfitted with several spigots in the ceiling. Herring believes it was a way to welcome her into their fold.
“And I felt like I was a part of humanity for the first time in my life,” Herring says, her face suddenly luminous. “My preconceived notions about the Trinity just slipped away. It was too much to comprehend, but I knew that the Holy Spirit was moving amongst us because we were people together, being kind to one another.”
Herring, now 42, says the experience changed her life. She left China a different, humbled person, with whole new ideas about what God, religion, and service were.
“I knew for sure that I had a lot more to figure out about my own place in the world before I had the audacity to spread the word of Christ across the globe,” she says.
Several years later she wrote a haunting song called “China” that recounts the experience. “The father and the son left but the holy dove stayed / maybe clouds parted and the curtain was torn / but I was naked as the day / the day I was born,” the song goes. It appears on her 2010 EP, Silver Apples of the Moon.