God of the Fugitives

CHRIS HOKE’S Wanted isn’t a spiritual memoir in the sense of chronicling revelation over time, and while Hoke, as his own character, grows through the book, he isn’t tracking the movements of his own soul. Wanted recounts the moments in Hoke’s life as a pastor and friend to prisoners, migrant workers, and gang members when something else broke in. Whether or not it intends to, Wanted is a way of answering the question that plagues a lot of contemporary spiritual writing: What does spiritual mean, anyway? Outside the religious patterns we already know, how would we recognize it?

Hoke goes looking, and finds himself drawn to a jail in Washington’s Skagit Valley as an unofficial chaplain, leading Bible studies and hanging out with the men who soon request his visits. Many of them listen to the stories where Jesus dines with the people society rejected and ask if that could mean them too.

By hanging out in the margins of U.S. society, Wanted can’t avoid the question of how these men got there in the first place. It’s outside the purview of the book to fully take on the issue of mass incarceration in the United States, but in the stories there is ample evidence of ways in which our system is heartbreaking and often inhumane. To learn even the elementary details of these men’s lives is to see that nearly everyone has failed them. The alternative, a God who wants them, is Hoke’s theme, and part of his title’s double meaning. Such a God accompanies people to the ends of their shadows—to the fields where they hide from the police, into the houses they break into, to the horror of solitary confinement.

Darn It!

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What 'Frozen' Teaches us about Power, Privilege, and Community

Photo Courtesy of Disney

The queen of the kingdom of Arendelle, Elsa, was born with a special ability to manipulate ice. Photo Courtesy of Disney

Just as polar vortices sweep through America, Elsa, one of the main characters in the latest Disney princess movie, Frozen, unleashes her icy power in the fictional kingdom Arendelle, across theaters everywhere. In addition to delighting progressive audiences by satirizing Disney’s own trope of “marriage at first sight,” the story compels viewers, young and old, to find courage to be their true selves. The Oscar-nominated signature song, “Let It Go,” poignantly expresses the sentiment of letting go of fears, secret pains, and pretense. Fans of the song, from celebrities to little girls, have been belting the tune theatrically anywhere from kitchens to car rides to the Internet.

G.K. Chesterton says,

Fairy tales are more than true: not because they tell us that dragons exist, but because they tell us that dragons can be beaten.

A good story is more than a pleasurable experience — it empowers us to live a changed life. Frozen is filled with beloved characters and catchy melodies, but also has much to teach us about power, privilege, and community.