storyteller
Image via REUTERS/Philippe Wojazer
Morrison’s wisdom and her immense love for blackness — a heritage, but also a color often used to describe evil and evoke disgust — have been blessings to the world for almost half a century. She has written and published eleven novels, numerous children’s books and nonfiction books, two plays, a libretto for an opera, and despite being 87-years-old, she shows no signs of stopping.
Daneil Beaty performs “Knock Knock,” a powerful poem that tells the story of his father’s incarceration.
Daniel Beaty in "Through the Night"
“I AM A storyteller,” says Daniel Beaty, “and my purpose in the world is to inspire people to transform pain to power.”
He was first inspired to share his stories when his third-grade teacher showed a videotape of Martin Luther King Jr.’s “I Have a Dream” speech. Now as a writer, actor, singer, teacher, and motivational speaker, his storytelling is expressed in a dizzying array of different forms and outlets. The week in April that Sojourners’ editorial assistant Rebecca Kraybill interviewed him, Beaty was doing daily performances in Los Angeles of a one-person play he wrote on the life of performer and activist Paul Robeson, “The Tallest Tree in the Forest” (in which he plays 40 characters and sings 14 songs) and, during the day, taping for a Ford Foundation-funded documentary on work he does with children of incarcerated parents.
This was just a fortnight after Beaty finished a six-week speaking tour in support of his memoir, Transforming Pain to Power: Unlock Your Unlimited Potential (Penguin-Random House). He’s also the author of a children’s book released in December 2013 by Little, Brown and Company, Knock Knock: My Dad’s Dream for Me, with graphics by award-winning illustrator Bryan Collier, which is an adaptation of a poem Beaty wrote about his experience growing up with an incarcerated father. “Knock knock down the doors that I could not” is one especially poignant line the father in the book writes to the son; it carries a call to healing and liberation that is found in all of Beaty’s work.
Kraybill talked with Beaty about the effects of mass incarceration on families, the power of a “theater sanctuary,” and how the arts call us toward “the capacity to do better.”