spiritual exploration

Bekah McNeel 3-25-2024
The illustration shows a church stained glass window with rainbow colors that also looks like an eye, and there is a giant mushroom in the middle

Illustrations by Simone Noronha 

IT WAS DARK. Totally dark and empty. Andrea Smith felt a familiar hopelessness. “Of course I’m all alone,” she thought. “It’s my greatest fear.”

Smith, a pastor in the United Methodist Church, was at the Johns Hopkins Center for Psychedelic and Consciousness Research in Baltimore, in the first moments of a psilocybin trip designed for clergy.

“I didn’t know crap about psychedelics leading into it,” Smith told Sojourners. Through work with the center before her 2019 experiment with psilocybin (a psychoactive ingredient found in some mushrooms), she was prepared to possibly meet her greatest fears — some participants even reported seeing their own death. At first, that’s exactly what happened.

Smith’s profound childhood trauma — her mother suffered a fatal aneurysm in front of her at age 9 — had instilled an existential fear of being alone, she realized, which had led her to the brink of self-destruction. Burnt out in ministry, avoiding the truth about her husband’s infidelity, and grieving the death of her father, Smith entered the Johns Hopkins study in a fog of depression. She was considering returning to the antidepressants she’d stopped years before. “I was broken,” Smith said. “I was just exhausted and spent.”

During Smith’s psilocybin treatment, something shifted. She described moving “in and through” increasingly abstract and light-filled imagery that led her on what was ultimately, she said, a journey of redemption and forgiveness. She never got back on antidepressants, because the depressive fog lifted almost immediately after her psilocybin treatments. Smith credits the psilocybin experience with her ability to make major life changes.

The scientists at Johns Hopkins paved the way for contemporary research into the unique pharmacological properties of organic and synthetic compounds known collectively as “psychedelics.” In 2000, the Johns Hopkins team obtained the first regulatory approval in the U.S. to restart research into psychedelic use with healthy voluntary subjects. In 2006, the team published the first wave of results on the “safety and enduring positive effects of a single dose of psilocybin,” which helped catalyze a worldwide resurgence of psychedelics research.

Kaeley McEvoy 11-21-2022
The cover art of Maggie Roger's music album 'Surrender', which features a black-and-white closeup of the singer's eyes.

Surrender, by Maggie Rogers / Capitol Records

INDIE-ROCKER MAGGIE Rogers says she feels her emotions in her teeth: Anger and love make her gums pulse and jaw tighten. Rogers’ second studio album, Surrender, is testament to what happens when we unclench our jaws and give our emotions room to breathe.

“This is the story of what happened when I finally gave in,” Rogers said in the trailer for Surrender. The result is a cohesive journey through the many questions that plague our grief-stricken culture. Offering both solace and space for unanswered questions, the album, released last summer, is an invitation to dance — to surrender to the coexistence of beauty and suffering in the world.

Steve Stockman 7-17-2012
Patti Smith. Photo by Angelo Cricchi via PattiSmith.net.

Patti Smith. Photo by Angelo Cricchi via PattiSmith.net.

"Oh Lord let me die on the back of adventure/ With a brush and an eye full of light."

These lines from the 10-minute "Constantine’s Dream" sum up Banga — the latest album from musical iconoclast Patti Smith — even as they aptly describe the career of CBGB's Queen of Punk.

For the better part of four decades, Smith has been all about adventure. The brush is a symbol of her broad artistic canvas (she sees herself more a poet than a musician, as well as an author and photographer), and she’s ever in pursuit of what the best rock music always is interested in – light, truth and better world.

Smith's “Oh Lord” at the start of that line is no accident, it would appear. This album particularly is full of God and religious images. The song "Constantine's Dream" finds Smith on pilgrimage to Assisi, following in the footsteps of St. Francis.