Scientology

Gareth Higgins 2-25-2019

From ‘The King.’

THERE ARE moments in The King—Eugene Jarecki’s ambitious movie about how the rise and decline of Elvis Presley is a metaphor for America—when the film feels like a prophetic lament. Striking widescreen photography frames an original idea: taking the Rolls Royce that Elvis owned on a nationwide road trip, picking up hitchhikers and celebrities alike to talk about what went wrong.

Parts of it are brilliant: Chuck D lamenting how Elvis appropriated black music and ended up being coronated while “Big Mama” Thornton (for whom Leiber and Stoller wrote “Hound Dog”) remained a marginal figure; John Hiatt gently weeping in the back of the Rolls, his heart heavy at how Elvis “was so trapped”; the housekeeper who found Elvis half-dead on the toilet, and the women who live in one of his early homes, briefly centering the stark contrast between a 20th-century king and 21st-century poverty.

It’s brave and imaginative to include footage of Jarecki’s interviewees criticizing him and the film itself. The Wire creator David Simon says it would have been better to use one of Elvis’ Cadillacs—a more apt metaphor for American decline than the car of a British aristocrat. More challenging is Van Jones asking why Jarecki seems to defend a man who took the music of descendants of enslaved people, accrued enormous power for himself, and didn’t speak up when the nation needed public figures to support civil rights.

Kimberly Winston 3-26-2015
Photo courtesy of HBO / RNS

Photo courtesy of HBO / RNS

The only murky thing in Going Clear: Scientology and the Prison of Belief, HBO’s scathing new documentary is: What will happen to the church that sci-fi writer L. Ron Hubbard built more than 50 years ago after it airs?

The two-hour film directed by Academy Award-winning director Alex Gibney is a merciless examination of the Church of Scientology, the religion/business/self-help empire created by Hubbard, who died in 1986. The film, which airs March 29 on HBO, alleges the church has practiced physical, psychological, and financial abuse of its current and former members for decades.

And while the film is based on Pulitzer Prize-winning journalist Lawrence Wright’s 2013 book with an almost identical title, the film manages something the book could not — it allows viewers to look into the eyes of former Scientologists as they describe years of abuse they say they suffered willingly at the hands of the church and the ultimate toll it took: lost relationships, broken lives, empty bank accounts, and more.

The film is so unsparing — particularly in its portrait of David Miscavige, who became the church’s “ecclesiastical leader” after Hubbard’s death and reportedly rules it like a tyrant — that the filmmakers and others who study Scientology say they hope it will prompt internal changes and greater transparency in the church, something it has resisted in the past.

“After Earth” poster. Photo courtesy RNS/Wikipedia

The news is not good for the new movie “After Earth,” which means the news is not good for Sony Pictures, or Will Smith … or, it seems, Scientology, whose sci-fi inflected religious system inspired what was to be a summer blockbuster. Now it’s looking like a summer bust.

As the NYTimes reports, “After Earth” took in 18 percent less than the lowest of prerelease expectations and may have ended Smith’s reputation as a surefire action-adventure box office draw — not to mention hurting the budding career of son Jaden, his co-star. Oh, and how much further off track could M. Night Shyamalan’s career go? He used to pose big questions in intriguing ways, but he directed and co-wrote this movie, yet another flop for him.

The movie has been ripped in reviews, and may well add to the narrative of decline and crisis that has been surrounding Scientology: an exodus of members, tell-all books, lawsuits, celebrity scandals. Well, maybe Scientology IS like a real religion after all.

Gareth Higgins 11-02-2012

Philip Seymour Hoffman, center, in The Master.

THE MASTER, Paul Thomas Anderson’s stomach-punching, fingernails-down-a-chalkboard psychological thriller loosely based on the founding of Scientology, might be more deeply understood as a tale of two egos. We witness a titanic battle for self-control by a man who knows nothing of it (Joaquin Phoenix’s Freddie Quell), while another struggles to distinguish imagination from delusion, his simmering rage emanating perhaps from the terror that the truth he has found may not be enough (Philip Seymour Hoffman’s L. Ron Hubbard surrogate, Lancaster Dodd). Neither of them knows how to love; both are desperate to be loved. They find in each other a conversation partner, a patient, an unrequited lover. They are two of the most human characters the movies have brought us in a long time; their power trips are terrifying, because they may remind us of our own.

There are many key moments: The first meeting between the war veteran and new religious leader, the dictator bonding with his subject over mutual substance abuse; the master holding court in New York society, first offering tender words of potential healing to a grand dame, then exploding at a guest who dares question the source of his “knowledge”; the protégé being experimented with, commanded to walk up and down between a wall and a window until he is both capable of imagining unbridled freedom and driven nearly mad in the process; a science-fictionesque digging for buried treasure on Arizona flatlands that could pass for Mars.

The moment that remains most resonant in my memory after two viewings is still the most ambiguous to me. After Freddie and Dodd first meet, the new father invites the new son (the relationship—and failings of relationship—between fathers and sons is where this film really aches) to attend his daughter’s wedding. The invitation is accompanied by a warning or an invocation: Dodd tells him either “Your memories aren’t welcome” or “Your memories are welcome.” Two viewings leave it unclear—I could check a third time, but it doesn’t really matter, for each is a blessing. You don’t have to carry your trauma always and everywhere. Or you can join this community and still be fully yourself.

Molly Young 10-09-2012
REDERIC J. BROWN/AFP/GettyImages

Pedestrians walk past the Church of Scientology along Sunset Boulevard in Hollywood. REDERIC J. BROWN/AFP/GettyImages

BEND, Ore. — State labor officials have ordered a dentist to pay nearly $348,000 to settle allegations that he threatened to fire a dental assistant unless she attended a Scientology-related training session.

The Bureau of Labor and Industries contends Dr. Andrew W. Engel repeatedly "badgered" Susan Muhleman about the three-day conference despite her concerns that it would conflict with her Christian beliefs. He also turned down her request to attend secular training instead, investigators said.

As a result, Muhleman quit AWE Dental Spa in August 2009 — weeks before the conference  and moved out of state to find a job, the state agency said.

Muhleman said she was opposed to going to the Scientology conference but worried about losing her job at the height of the recession, when the local jobless rate was about 15 percent.

Jeanie Groh 10-03-2012
RNS photo by Pictorial Evidence via Wikimedia Commons

Church of Scientology "Big Blue" building in Los Angeles. RNS photo by Pictorial Evidence via Wikimedia Commons

WASHINGTON — Most Americans do not believe Scientology is a real religion, according to a recent poll by 60 Minutes and Vanity Fair.

The survey, conducted by CBS News, found that 70 percent of Americans say that Scientology is not a true religion; 13 percent believe it is; and 18 percent either don’t know or don’t care.

Out of the more than 1,000 people polled, Christian Americans were even more likely to question Scientology’s status as a religion — 79 percent of evangelicals, 74 percent of Protestants and 72 percent of Catholics surveyed responded that they did not think Scientology is a religion.

L. Ron Hubbard, a science fiction author, established Scientology in 1952, and the Church of Scientology has been acknowledged as a religion in the United States since 1993. Scientology is known for its celebrity followers, such as actors Tom Cruise and John Travolta.