michael dunn
Image via Debbie Allen's "Freeze Frame - Stop the Madness" Facebook
The project which Allen spoke of, titled Freeze Frame…Stop the Madness, is a work of theatre written, choreographed, and directed by Allen that combines cinema, dance, and music into a stage performance inspired by the issues of race and gun violence in America. Freeze Frame opened at the Kennedy Center for the Performing Arts in Washington, D.C. on Oct. 27 and, on Oct. 24, Allen visited the Center for American Progress, in the nation’s capital, to discuss Freeze Frame’s creation and the impact she hopes the show will have on the U.S.
Justice for Trayvon rally, by Light Brigading / Flickr.com
The problem is the systemic injustice inherent in Stand Your Ground laws: just feeling like you are being threatened can justify your response in “self-defense.” Under Florida self-defense laws now, someone can use even lethal force if they “reasonably believe” it is necessary to defend their lives or avoid great harm. How does a jury decide what a “reasonable person” would do under all the circumstances? Even if Dunn really believed there was a gun in the black teenagers’ car and there wasn’t one, he could still be justified in shooting into the car according to Stand Your Ground. The New York Times quoted Mary Anne Franks, an associate law professor at the University of Miami saying, “This trial is indicative of how much of a problem Stand Your Ground laws really do create … By the time you have an incident like this and ask a jury to look at the facts, it’s difficult to re-create the situation and determine the reasonableness of a defendant’s fear.” And unfortunately, the law creates an opportunity for racial factors — whether they’re conscious or not — to trump facts when even one juror who is sympathetic to a defendant’s “reasonable” fear can prevent prosecution.