film adaptation
Actor Marshall Allman (who plays "Don" in the film), Donald Miller and director Steve Taylor. Photo by Christian Piatt.
"There are people who struggle with not being understood; God is not one of them."
~ Donald Miller to Christian Piatt
in 'Blue Like Jazz' - The Sojourners Interview
coming Wednesday on God's Politics
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Earlier this week, our intrepid blogger/reporter/resident-God-Nerd Christian Piatt sat down with the makers of the highly-anticipated film Blue Like Jazz — Donald Miller, director Steve Taylor and Marshall Allman, the actor who portrays protagonist "Don" in the screen adaptation of Miller's best-selling memoir — to talk about faith, film and ... fate. The far-ranging interview covers everything from John Coltrane's "A Love Supreme" and what Miller calls "dangerous theological ideas" to the astounding grace of God and peanut butter cups. Fascinating and funny, the conversation with the hearts and minds behind Blue Like Jazz is a humdinger you won't want to miss.
But because we like you a whole lot , we've prepared a wee taste of what's to come ... inside the blog.
Still from the film, "Blue Like Jazz," via www.bluelikejazzthemovie.com.
As a progressive Christian in my mid-20s, it'd be safe to bet I might be a fan of Donald Miller. And I am. Miller's Blue Like Jazz and Searching For God Knows What are among the books that have significantly affected my faith journey.
And, like many others in my demographic, I met the news of an adaptation of Blue Like Jazz with both hope and apprehension. Like Miller himself, “at first, I didn’t understand how it could be a movie. I couldn’t see it on a screen.”
My own anxieties about a big-screen adaptation fell into two categories. First Jazz is, for all intents and purposes, a memoir. And memoirs — or the biopics they often become onscreen — are, in my opinion, rarely great films. They are usually little more than a path to the Oscars for actors who are pining after an ego-boost (but I guess that’s another story).
What saves Blue Like Jazz, thankfully, is that it is a memoir with a difference. It isn’t a rose-tinted, romanticized account of some historical or celebrated figure. It is the memoir of someone who is very much like me — just a little bit funnier. That’s where the appeal comes from and I'd expect that's what will make Blue Like Jazz (the film) a success both here and abroad.