fantasy

These field notes of a fictional ethnographer on an imagined planet touch on a truth: As a woman who was conditioned to see God as father, my role as a Christian was shaped by the nature of a father relationship. And while this may not inherently be harmful, it is limiting. In The Left Hand of Darkness, I was invited to step into and imagine a world where gender was not a burden, privilege, or factor — for me, or for God.

Game of Thrones, the engrossing, sometimes disturbing, always exciting TV series returns for a sixth season Sunday night on HBO. The network is not releasing screeners, so it’s anybody’s guess what’s going to happen. But one thing you can bet on — the television show, like the books by George R.R. Martin they are based on, involve storylines with religious elements. Considering where some of those stories left off, religion may come further to the fore in the new season. Here’s a primer on a few of the religions of Westeros, the imagined, medieval-inflected world of Game of Thrones.

As a lifelong reader of fantasy and science fiction, my favorite stories were those set not only in a different time but a different world altogether. It’s exciting to enter into a wholly new landscape, and, as avid readers of both genres will say, there’s both power and joy in watching people and creatures do battle with the same forces we recognize in our daily lives (including, possibly, the power to overcome real-world social divisions — despite decades of the science v. religion binary, there’s ample evidence that both sides love hobbits).

Series writers (which included Vince Gilligan of later Breaking Bad acclaim) were never exactly subtle with their nods to faith. While Mulder was an atheist, his constant journey to a truth larger than himself, and indeed, this world, mirror many a sojourner, albeit perhaps without the little green androgynous beings. And Scully’s faith as a child in the unquestionable Catholic Church, and then as a doctor in science above all, and then as a lover and a mother in a more tangible God, allowed for a deeper-than-average glimpse at the push-pull relationship between blind belief and pure, clinical reason.

Joss Whedon may not profess spiritual belief, but throughout his career, from Buffy the Vampire Slayer to Avengers and Agents of S.H.I.E.L.D., his work has fascinated believers. This may be, in part, because Whedon is a humanist, and his belief in respecting the dignity of all people is a common theme in his work. Whedon’s shows consistently emphasize compassion for people of all backgrounds and worldviews, even (especially) when his characters’ beliefs don’t match up.

One of the great debates around Christmastime for Christians is whether to encourage or allow the belief in Santa Claus. I have friends and family on both sides of this debate, so I want to be careful here. I have a great deal of respect for the desire to keep the focus on Jesus and his birth at this time of year. I want to encourage that focus, too.

And, yet, I allow my children … I encourage them even … to believe in Santa.

We — my husband and I — don’t just stop there. We also have elves that visit our house every year during this season. Some would say that at best I am distracting from the message of Christ. At worst I am lying to my children.

The line between fantasy and falsehood is delightfully fuzzy during childhood. God created it to be this way and it is so important for a child to be able to play in this grey area.