doom and gloom

Joshua Witchger 10-31-2011

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Is Halloween a prime time for evangelism?

Are religious tracks passed out along with (or in lieu of) "treats" really the best way to spread the gospel message?

Or do the roots and practices of Halloween run so deeply counter to Christian tradition that Halloween is best ignored by believers?

At times such as these, the church often finds itself wrestling with the big question H. Richard Niebuhr posed in his seminal 1951 work, Christ and Culture. That is, to what extent should Christians engage in and interact with the world around them?

Joel Goza 9-13-2011

One little known fact about Houston is that it was the only major city in the South to integrate nonviolently. A meeting was held in a downtown hotel with key African-American leaders -- preachers, business owners, barbers, undertakers -- and the business and political power players from Houston's white establishment. The meeting determined that Houston would integrate silently and sit-ins would end -- no newspaper articles, no television cameras. They were simply going to change the rules of the game; and they did without any violence. It was a meeting that represented how Houston politics happen: provide a room, bring together community leaders, business interests and politicians, and get a deal done. Such meetings certainly make for strange gatherings, but at critical junctures in our city's history this mixture has proven to be a winning cocktail.

Rick Steves 8-30-2011

At Europe Through the Back Door, our tour program just sold its 11,782nd seat for our 2011 season -- topping our best tour sales year ever (2007). Despite our antsy stock market and doom-and-gloom news stories, it seems that our economy is gaining some confidence. And yet, at the same time, our local symphony and arts center are in financial crisis.

As a way to celebrate, to give back to my beautiful hometown of Edmonds, and to spark a little conversation about why a society as affluent as the USA is cutting education, neglecting our environment, and defunding the arts while our wealthy class is doing better than ever, I've decided to make a donation of $1 million (in $100,000-a-year payments over the next decade) to our local symphony and arts center. This sum represents the money I've gained in the 10 years since the Bush tax cuts for the richest Americans (those of us earning over $250,000 a year) took effect.