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Cassidy Klein 3-20-2023
An illustration of Jesus sitting on a globus cruciger as he raises his hand to text that reads, "Glory to God for all things." One version depicts the text in the colors of the LGBT Pride flag and the other the colors of the transgender flag.

“Glory To God For All Things — Pride Colors” / from @artofmarza

ACCORDING TO AN Orthodox miracle story, St. Nicholas — the fourth century archbishop who inspired the figure of Santa Claus — quieted a raging sea. When sailors were caught in a storm on the Mediterranean, they called out for help. Nicholas appeared, walking on the waves before them. He blessed the ship, and the storm calmed. This is why he became the patron saint of sailors. It’s also why Mary Marza, a queer Orthodox artist in her mid-20s who is based in Los Angeles, illustrated St. Nicholas as a “waterbender.” Waterbenders, from the animated series Avatar: The Last Airbender, can control water and its movements. This is one of many works featured on her Instagram art account, Art of Marza.

“I liked the concept of blending saints with the elements or just blending the saints with things from my favorite stories and pop culture,” Marza wrote in an Instagram caption about this portrayal of St. Nicholas.

Marza (who asked to use her art account name instead of her real last name for this article) creates digital art and stickers that blend Orthodox iconography and prayer with street art and anime. The grungy, graffiti-and-animation-inspired aesthetic of her art and its confluence with iconography is part of her longing to “[see] God in places where people assume we can’t find Him,” she wrote on Instagram.

Gareth Higgins 11-29-2017

From Avatar.

“Where did we get this capacity to imagine that horribly complicated messes have been ironed out just because someone has looked us in the eye and told us so? I don’t know about you, but I keep getting it from the movies.” So says novelist Jim Shepard in his provocative new collection of essays on movies and making the American myth, smartly (and depressingly) titled The Tunnel at the End of the Light.

In Terrence Malick’s Badlands, Shepard sees sociopathy at the root of the desire for celebrity. He also reflects on how Saving Private Ryan was a “war movie found pleasing by conservatives and liberals, and it’s not hard to figure out why: ... more than enough war is hell to satisfy the left, and ... an even greater helping of well, it may be hell, but it sure brings out the best in us, doesn’t it? raw meat for the right.” Shepard makes a useful point— something can be remembered by one group of people as the antithesis of how another sees it.

 

Soong-Chan Rah 1-13-2010

The last two movies that my wife and I had the chance to watch were Avatar and The Blind Side. Not sure how that happened, but both movies had very rich missiological and race themes to them. Or maybe I just see everything in that way.