The Common Good

Culture Watch

Father Abraham and the Jews

Steven Spielberg’s Lincoln will probably nab a few of its 12 nominated Academy Awards when the Oscars are handed out on Sunday — a sign that Americans never have and probably never will tire of our 16th president.

Abraham Lincoln’s face is etched in stone on Mount Rushmore and his brooding statue sits enshrined in a Greek-style temple in Washington. His succinct Gettysburg Address (about 270 words) took all of about two minutes to deliver, yet remains this nation’s most famous speech 150 years later. His assassination lifted him to mythic status — a martyr who earned his place in our pantheon of national heroes.

We just marked the 150th anniversary of his Emancipation Proclamation, but that necessary action wasn’t enough. Spielberg’s film revives Lincoln’s second act, in 1865, to pass the Thirteenth Amendment to abolish slavery through a divided Congress. It wasn’t the only injustice Lincoln worked to correct.

In his recent book, When General Grant Expelled the Jews, Brandeis University Professor Jonathan D. Sarna recounts an important but little-known event in 1863 in Lincoln’s quest for full civil, religious, and human rights for all Americans — this time, for American Jews.

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Oscar Spirit: Faith, Values, and the 2013 Best Picture Nominees, Part 3

This week, in the run-up to Sunday's Academy Awards ceremony, we've been taking a look at each of the Best Picture nominees, the stories they tell, and the spiritual questions (and answers) they offer.

In today's final installment, we turn our attention to Lincoln, Silver Linings Playbook, and Zero Dark Thirty.

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Sojo Session: Branches

Our friends and up-and-coming musicians Branches trekked all the way from California and stopped by our office in D.C. last week to play a couple of their songs during their East Coast tour! 

Their songs explore the ideas of doubt, faith, loneliness, love, and above all, hope for life as it was meant to be.

Best friends turned band-mates, the lady and gentlemen of Branches are an independent, self-writing and self-producing collective. Birthed in a living room in the suburbs of Los Angeles in 2010, Tyler, Natalie, Jacob, Mitch, Tyler, and Mike have since spent their time together making friends, playing shows, and writing and recording the songs for their EPs ("O, Light!", "Cabin", "Covers", "Songs For Christmas") and their full-length ("Thou Art The Dream", released 2/12).

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The Gospel Roots of the ‘Godmother of Rock ‘n’ Roll’

Before Elvis and Chuck Berry and Johnny Cash. Before Aretha and Whitney and Beyonce. Before the blues met gospel and conceived rock ‘n’ roll, there was Sister Rosetta Tharpe.

The first gospel superstar, Tharpe was a guitar hero in a flower-print dress whose bluesy chops and strutting style would be mimicked by countless acolytes, both white and black.

“I mean, she’s singing religious music, but she is singing rock ‘n’ roll,” said one such devotee, Jerry Lee Lewis, of “Great Balls of Fire” fame. “She’s hitting that guitar, playing that guitar, and she is singing. I said, ‘Whoooo. Sister Rosetta Tharpe!’”

Though no longer a household name, Tharpe gets the star treatment in a new documentary for the PBS series American MastersSister Rosetta Tharpe: The Godmother of Rock & Roll will be broadcast Friday on PBS in honor of Black History Month.

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Links of Awesomeness: February 20, 2013

Conan, Bonarroo, a 42-wheel BMW dream car, a 7-year-old's interpretations of the Best Picture nominees, Google glasses, and puppies. Yes, these are awesome.

 

 

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Oscar Spirit: Faith, Values, and the 2013 Best Picture Nominees, Part 2

The fragility of life. The servanthood of love. The (im)morality of war. The fundamentals of mercy and justice. The power of grace and forgiveness. The oneness of creation. The personal (and spiritual) toll of climate change. The nature of God and faith. These are some of the spiritual themes explored in the mostly august field of nine contenders for the 2013 Academy Award for Best Picture — Amour, Argo, Beasts of the Southern Wild, Django Unchained, Les Miserables, Life of Pi, Lincoln, Silver Linings Playbook, and Zero Dark Thirty.

This week, in the run-up to Sunday's Academy Awards ceremony, we're taking a look at each of the Best Picture nominees, the stories they tell, and the spiritual questions (and answers) they offer. Today we turn our attention to Django Unchained, Les Miserables, and Life of Pi.

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Gospel Lessons From ‘Downton Abbey’

I got home from a church event on Sunday evening, in time to watch the season three finale of “Downton Abbey” on PBS, but I stuck to my guns about catching up on previous episodes first.

But on Monday morning, The New York Times had two articles about the finale and I couldn’t stop myself from reading them.

So now I know that two key characters get killed off — because the actors playing them wanted to move on from the show. Does that mean watching the older season three episodes is pointless? Not at all. As any Christian can tell you, knowing how the story ends doesn’t take away its meaning or mystery. If anything, you become even more alert to character development.

Killing off characters can work wonders for a television series, but it rarely works for the actors who overestimated what they uniquely brought to the program.

Ask any executive, pastor or educator about moving on and then bombing in the next job: their success wasn’t about them in the first place. It was circumstance, luck or an “alignment of the planets,” if you will, that existed only for an instant.

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Oscar Spirit: Faith, Values, and the 2013 Best Picture Nominees

The fragility of life. The servanthood of love. The (im)morality of war. The fundamentals of mercy and justice. The power of grace and forgiveness. The oneness of creation. The personal (and spiritual) toll of climate change. The nature of God and faith.

These are some of the spiritual themes explored in the mostly august field of nine contenders for the 2013 Academy Award for Best Picture -- Amour, Argo, Beasts of the Southern Wild, Django Unchained, Les Miserables, Life of Pi, Lincoln, Silver Linings Playbook, and Zero Dark Thirty.

2012 was an extraordinary year for film. This year's Best Picture field is perhaps stronger than it's been in recent memory, replete with nuance and substance, each film presenting a uniquely compelling and memorable tale that both informs and reflects our culture, sensibilities, and challenges.

A few of the nominated films employ overtly religious ideas and language (Life of Pi, Les Miserables, Lincoln), while others tackle daunting ethical issues that speak to our deepest identities and values (Argo, Djano Unchained, Zero Dark Thirty), or explore the sacred landscape of friendship, family, and unconditional love (Amour, Beasts of the Southern Wild, The Silver Linings Playbook.)

For the next three days, we'll look at each of the Best Picture nominees, the stories they tell, and the spiritual questions (and answers) they offer.

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ICYMI: February Music

Just as the winter months tend to bring a mellower, melancholic feel to life, so too can music. And some of this month’s more obscure releases do just that. If you’re looking for an album to check out on a dreary winter morning, look no further.

That’s not to say at all that they’re bad releases. One can quickly point to the likes of Bon Iver or Radiohead as figureheads of melancholy. They’re just different from the bubbly pop one might hear a lot on the radio.

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Is God the Missing Character in 'Downton Abbey'?

The third season of the megahit PBS series “Downton Abbey” wraps up on Sunday, capping another must-see run of ruin and redemption at Lord Grantham’s stately English manor. Yet some are still left puzzled over the absence of what should be a leading Upstairs player in this colorful cast: God.

Writing last month in the flagship evangelical magazine Christianity Today, Todd Dorman wondered why — despite the heart-rending melodrama and all the “divine trappings” that gild the 1920s scenery — “God is a peripheral presence at best.”

“There are numerous fascinating blog posts … that search for implicit Catholic and Christian themes in the show — good and evil, suffering for cause, various types and grades of love and devotion,” Dorman wrote. “At some point, though, especially with a vicar in the family’s employ, it seems odd for such connections to remain unnamed, unspoken, and, for all we can see, unperceived.”

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