Culture Watch

Some clever folks have created a magnificent "mash-up" of Sesame Street's resident pastry enthusiast, Cookie Monster, and the iconoclastic performer Tom Waits' song "God's Away on Business" from his 2002 album, "Blood Money." (Waits' song also appeared in the 2005 film, Enron: The Smartest Guys in the Room.)

"The man who can articulate the movements of his inner life," the late Christian apologist and author Henri Nouwen said, "need no longer be a victim of himself, but is able slowly and consistently to remove the obstacles that prevent the spirit from entering."

Throughout the ages, how Christian believers have chosen to articulate their inner lives has had many manifestations in literature, music, architecture, and other artistic endeavors.

As a means of communicating and wrestling with his inner life -- his journey of faith -- Greg Fromholz, an American expatriate youth worker for the Church of Ireland in Dublin, wrote a book titled Liberate Eden, but traditional publishing houses found that his work was a bit too iconoclastic for their tastes.

"It is just too different to be Christian," one publisher pronounced.

I remember vividly the first time I went to a comic book shop with my mom. I'd sneaked there before. But this time was different. This time I'd come without pretense, openly confessing my love of the four-color art form. I was in the fifth grade.

While I perused the back issue bins in the middle of the shop, my mother looked from one rack to the next, her face slowly solidifying into a grimace. On one cover, a half-naked green man punched a half-naked rock man in the head. On another, a woman wearing spandex tight enough to be body paint draped herself over some sort of futuristic motorcycle. Eventually, my mother's eyes fell upon the cover of a sword-and-sorcery title near the cash register. Behind a tan, sinewy barbarian stood a harem of women, all wearing thin strips of well-placed linen. We left before I could make a purchase.

The recent British film In Our Name is a returning-soldier drama featuring a married woman, Suzy, who leaves her husband and little girl to fight in Iraq. Because she's involved in the killing of a little girl during her tour-this part is based on a true story, but it happened to a man -- she returns home only to steadily fall apart under the stress of soul-destroying anxieties.