The Common Good

Culture Watch

'Paranorman:' Unmasking the Myth of Redemptive Violence with Cartoon Zombies

Paranorman, the stop-motion animated feature by Laika Studios just came out on Netflix instant download, so we decided to watch it for our family movie night. It's a fun film, perhaps a bit too scary for the little ones, but what really stood out for me was the surprisingly deep morality in this little film. This comes in an unlikely package since the film is about zombies and witches. Not surprisingly, if you look for Christian reviews of the film you will see many focus on warnings to stay way from the occult. Sadly, this response misses the profoundly deep moral message behind this film — one that confronts religious violence, and instead promotes a message of redemption and forgiveness. That's quite a bit of insight for a cartoon! 

The premise of Paranorman is that the town of Blithe Hollow (not coincidentally set in Massachusetts, as we will see later) is about to be overrun by zombies because of the curse of an evil witch. Only Norman Babcock, an odd boy who can speak to the dead, can save the day. The movie begins by having us get to know Norman, who is emotionally isolated because his family does not understand him, and his peers ostracize and ridicule him as a "freak" at school. The only person who believes Norman is his friend Neil Downe, and overweight boy who is himself bullied.

The town is in peril because three centuries ago, an evil witch was executed, and in revenge put a curse on puritan judge and her accusers, cursing them to rise from the grave as zombies. So each year the curse of the witch must be appeased by reading from a mysterious book at the grave of the witch in order to prevent a zombie apocalypse. But this year that does not happen, and the zombies overrun the town. The townspeople and local police form the typical Frankenstein mob, complete with pitchforks and shotguns to kill the zombies. As the mob mentality grows, Norman and his motley band are threatened by the mob as well. 

This is the first point where we see the film’s unmasking of "virtuous" violence: in the logic of many films, so long as someone is a "monster" or an "alien," it is okay to kill them. So we have no problem with watching mass killings of monsters or aliens in movies because ... well ... they're monsters. So you're supposed to kill them. That's what good guys do in movies. This is the unquestioned plot of hundreds of movies. As long as the Storm Troopers in Star Wars are faceless, we don't bat an eye when Luke kills one after the other. They have been dehumanized, and so it's okay to kill them all. The same is true for the Orks in Lord of the Rings, or the witch and her minions in the Chronicles of Narnia. 

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If You Eat Food, Read This

If you eat food, here are two newish books you should know about.

You may already have met Robert H. Lustig, author of Fat Chance: Beating the Odds Against Sugar, Processed Food, Obesity, and Disease (2012). Lustig is the UCSF professor whose surprisingly riveting 90-minute lecture, "Sugar: The Bitter Truth," has already had nearly 3.5 million hits on YouTube. The thesis of his lecture: it's not dietary fat that's making Americans gain weight, it's sugar. And sugar is doing much worse things than increasing our clothing size. It's setting us up for a whole range of lethal diseases that are almost entirely avoidable.

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In Salt Sugar Fat: How the Food Giants Hooked Us (2013), Moss, a Pulitzer Prize-winning investigative reporter, tells what the food industry has been up to during the last couple of decades. Food executives, Moss says, are nervous: people are figuring out that convenience foods aren't good for them.

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What If It’s Not the Prisoner Who Needs Forgiveness?

We started making our new documentary “Redemption of the Prosecutor” for the same reason we always do: someone told us a story.

Bill Mefford works in the social justice office of the United Methodist Church, and he called us last August to say he’d just seen an amazing talk. The talker was one Preston Shipp, a devout Christian and former prosecutor from Nashville who went into a local prison to teach. When Preston heard the inmates’ stories, he began to realize how unjust the system was. He was especially torn up about an inmate named Cyntoia, who was Preston’s star student and had received a life sentence as a juvenile. Preston underwent a spiritual crisis that boiled down to a fundamental question: “How can I reconcile the job I was being asked to do as a prosecutor with my faith in Jesus, who proclaimed release for prisoners?” We won’t give away the ending, but there’s a surprising twist that left us saying this is a story that needs to be told in churches across America.

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On Leaning In

Well, somebody had to do it: Somebody had to go buy the incessantly hyped volume Lean In by the stratospherically successful Facebook COO (and mother of two) Sheryl Sandberg, and figure out what’s behind the seemingly endless radio talk shows and online profiles — they have been following me, they have, filling up my car like clouds of incense and dinging on my phone with the book’s mantra-like subtitle, Women, Work, and the Will to Lead.

I bought this part-memoir, part self-help book on a gorgeous spring weekday when, because I work part-time, I was supposed to be home anyway. Because the pollen was getting to me and I had woken up groggy, my husband generously offered to take the children to school on his way in to work, something that Sandberg would applaud: husbands who will assume major leadership at home are a major key in enabling mothers to succeed.

I stumbled around the house in my nightgown for a while, then finally got dressed and picked up Lean In at the Target in suburban Largo, Md., which at 10 on a weekday morning, was as silent as a tomb.

I drove half an hour to have lunch with a homeschooling friend, folded laundry and cleaned some grout, picked up my children from school and finally settled down to read the book on the bench at my son’s baseball practice, as the evening sun sank over the trees.

I found myself surprised by how much I enjoyed it: Sandberg, who’s about my age and who shares some of my generational preoccupations, comes across as warm and intimate, gently self-deprecating in describing her own “monkey bar” career path (it’s not a ladder, she says, because you can move sideways too), as well as some of her mistakes.

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Still A Believer: A Talk with Singer-Songwriter Nataly Dawn

A while back I had an opportunity to sit down and talk with up-and-coming singer-songwriter Nataly Dawn about faith and songwriting. Dawn grew up in France, went to Stanford for undergrad, and made it big on YouTube with a duo called Pomplamoose before signing with Nonesuch records and starting her solo work.

This interview was edited for length and content.

Nataly: I have to warn you, I’m in a little bit of a food coma; I just made a really big brunch. I had probably five pancakes.

Brandon: Wow. Impressive. That’s awesome.

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Colm Toibin’s 'Testament of Mary' Brings Jesus’ Mother Down to Earth

How far can one go in retelling a Bible story, adding things that are not in the original? In The Testament of Mary, Colm Toibin goes a long way.

His 2012 book is now a Broadway play presenting a view of the mother of Jesus so different from pious tradition that it angers some Christians, creating a “new,” intellectually and spiritually challenging Virgin Mary.

Yet in the end, Toibin’s searingly human Mary may be ultimately more accessible than the Mary of porcelain perfection set high on a pedestal.

The Irish writer, who has written about his strong Catholic childhood, imagines Mary 30 years after the crucifixion of her son. She lives as a virtual prisoner of two of Jesus’ disciples, still mourning her son’s death, bitter at what has happened since, and seeking consolation from pagan idols, which make more sense to her than what happened to Jesus.

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To the Wonder: A Rumination on Love

The last Terrence Malick film I went to see was Tree of Life, in which the critically acclaimed director — and devout Christian — advised audiences to “experience [the film] like a walk in the countryside. You’ll probably be bored or have other things in mind, but perhaps you will be struck, suddenly, by a feeling, by an act, by a unique portrait of nature.” Needless to say, the film was long — extremely beautiful, but a wee bit slow.

So you can imagine the shock I felt when Malick’s latest film, To the Wonder, abruptly ended after almost two hours and I thought to myself, “Wait, it’s already over?”

To the Wonder is certainly different from its immediate predecessor in Malick’s catalogue — there aren’t any dinosaurs in his latest effort. But it does still manage to have both the look and feel of a Malick film (i.e., it intersperses a linear story with lots of fluid, beautiful cinematography shot during “magic hour” with voice overs asking deep questions), albeit one that doesn’t drift off into long montages of the creation of the universe with voiceovers almost lifted from the book of Job.

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'Cambodia: Losing Ground' — Stories of Land Grabbing

Photographs tell stories. At least, good ones usually do.

And there were some good pictures on display in Washington, D.C., for Oxfam America’s pop-up photo exhibit from acclaimed photographer Emma Hardy, whose work is regularly featured in The New York Times magazine, TIMEVanity Fair, and Vogue.

The images tell the particular stories of Cambodians directly affected by land grabbing, the buying or leasing of large pieces of land in developing countries, by domestic and transnational companies, governments, and individuals, which in turn displaces the poor and vulnerable.

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Homeless Jesus Sculpture Searches for a Home

TORONTO — This homeless Jesus can barely find a home.

Canadian sculptor Timothy Schmalz notes the ironies in his latest creation, “Jesus the Homeless,” a bronze sculpture depicting the Christian savior huddled beneath a blanket on an actual-size park bench. Only the feet are visible, and their gaping nail wounds reveal the subject.

“If Jesus was watching the streets today,” Schmalz says from his home in St. Jacobs, Ontario, “I think he would want himself represented as one of the most marginalized. That’s what he said in the Gospel.”

Indeed, as Schmalz notes, Jesus calls on his followers to clothe the naked, feed the hungry, and tend to the lame. Possibly referring to himself, Jesus says, in the book of Matthew, that “the Son of Man has nowhere to lay his head.”

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Former ‘Jesus Freak’ Traces the Evolution of Christian rock

Bob Gersztyn owned a fine collection of 300 rock ‘n’ roll albums in 1971, the year he accepted Jesus Christ as his personal Lord and Savior. Among them were some choice 1960s vinyl from Jimi Hendrix, the Beatles, Bob Dylan, and the Mothers of Invention.

But all of a sudden, this was the devil’s music.

“I destroyed some of them with a hammer and took the rest to a used record store,” he recalled with a laugh. “I think I kept 10 classical music albums that I decided were not anti-Christian.”

Gersztyn retained his love of rock ‘n’ roll, but limited his listening to Christian rock, a genre that was just getting going in the era of the hippie-inspired “Jesus freaks” and the hit Broadway musical “Jesus Christ Superstar.”

He joined a Four Square Gospel Church in Los Angeles, enrolled in Bible college, and became a Pentecostal preacher. He also started emceeing and booking concerts for such Christian artists as Keith Green to 2nd Chapter of Acts.

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