The Common Good

Culture Watch

Catholic Rocker Matt Maher Finds Cross-Over Appeal Among Evangelicals

Growing up Roman Catholic in Newfoundland, Matt Maher never imagined that his childhood interest in music would lead to a career as a Grammy-nominated, chart-topping Christian rocker — let alone a crossover artist featured on Christian radio and in evangelical worship.

After he stopped going to Mass as a freshman in high school, Maher wasn’t even sure about his own faith. The idea of maintaining a personal relationship to God seemed a foreign concept.

“Where I grew up, evangelical Christianity really hadn’t made any strides,” said Maher, now 38, describing the mainline religious culture of his wind-swept Canadian homeland.

Listen to any of his catchy, guitar-driven pop-rock anthems, such as his new single, “Lord, I Need You,” and it’s clear God is never far from Maher’s mind these days.

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Five Questions with Author of 'The Invisible Girls'

Sarah Thebarge is the author of The Invisible Girlsa new memoir from Jericho Books. I was fortunate to get a few minutes to ask her a few questions about her touching, funny, compelling new piece of work.

Q:  Your book is about Somali Refugees and also about your survival of breast cancer.  How do you write one book about both things?

A:  When I met the Somali mom and her girls on the MAX the first time, we had a lot of differences – different religions, ethnicities, skin color, and language. But as I developed a relationship with them, I realized that we had a lot in common at the core. Because I’d been a little girl growing up in a fundamentalist culture, where men buried you under yards of fabric and lists of rules and taught you that women were supposed to be silent.  And I knew what it was like to be a refugee of sorts, because after I nearly died of cancer in my 20s, I sold everything I had and got on a plane with a suitcase of clothes and flew from the east coast to Portland, Ore., and started over. And so even though the narrative lines of the Somali refugee family and my cancer experiences seem disparate, they actually weave together well, because all this time, I’d been an Invisible Girl, too.

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The 2013 Sweetlife Festival: At the Intersection of Passion and Purpose

Passion and purpose.

Sounds familiar, huh? Those two words are at the heart of activism and social justice. I could have safely assumed that almost every young Christian activist at the Justice Conference in Philadelphia back in February was passionate about a particular purposeful cause. I’m surprised a Christian conference hasn’t already picked up on the whole passion and purpose thing for slogan or tag line.

Christian conferences aside, I never thought those two words would be the foundation of a cutting-edge music and food festival at Merriwewather Post Pavilion, and certainly not one where 18,000 people were jamming to some of their favorite artists and scurrying over to local food trucks for healthy, delicious food in between sets. Heck, I didn’t know there was such a thing as a festival that focuses on both music and food.

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Candida Moss Debunks the ‘Myth’ of Christian Persecution

Growing up Catholic in England, Candida Moss felt secure in life, yet was told in church that Christians have been persecuted since the dawn of Christianity. Now, as an adult and a theologian, she wants to set the record straight.

Too many modern Christians invoke, to lamentable effect, an ancient history of persecution that didn’t exist, Moss argues in her newly published book, The Myth of Persecution: How Early Christians Invented A Story of Martyrdom.

Although anti-Christian prejudice was fairly widespread in the church’s first 300 years, she writes, “the prosecution of Christians was rare, and the persecution of Christians was limited to no more than a handful of years.”

We asked Moss, professor of New Testament and early Christianity at the University of Notre Dame, to talk about the travails of early Christians, and how they are misappropriated in the public sphere today. The interview has been edited for length and clarity.

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Hugging Bono, Engaging Critics, and Wishing 'The Frontman' a Happy Birthday

I don’t know how I feel about liberalism or capitalism beyond the degree to which I participate in both by necessity. But I do know what I perceive as the source of my activism and Bono’s: Jesus and the Bible; spirituality and scripture; the new commandments of radical love and service taught by the carpenter from Nazareth. What’s been called the preferential option for the poor. Bono’s lack of economic literacy, or worse, allegiance to wrong-headed economic mentors, may make me and others uncomfortable and may play into the hands of the problem-creators rather than the problem-solvers, yet Bono’s Biblical, musical, and poetic literacy remain on target in my eyes and heart.

In 2005 just after How To Dismantle An Atomic Bomb, as much as I loved that record and the subsequent Vertigo tour, part of me wanted to give up on Bono for his self-imposed public silence on the Iraq War, for hanging so intimately with people like George Bush and my then least favorite Tennessean Bill Frist. That year, I picked up Bono: In Conversation with Michka Assayas. Not only does the front man answer all his critics in a nuanced manner, he diminishes and self-deprecates his own significance. The alleged egomaniac also has a streak of deep and deferential humility.

But more than that, he speaks ever so elegantly and evangelically about his faith in Jesus and how Christian religious perspective, spiritual practice, and central Gospel narrative inform everything he does. Like Bono, I am no economist, but also like Bono, I take seriously the Biblical teachings about poverty and justice.

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The Problem of Poverty in 'The Great Gatsby'

The Great Gatsby doesn’t exactly fit the mold for a story about poverty. It doesn’t play into the typical genre created by Dickens or Sinclair meant to incite social change by depicting feeble orphans or working-class suffering. Gatsby is a story of excess: of tall buildings, big parties, fancy clothes, shiny cars—all that 1920s glam and glitz.

And yet — distilled to its core, The Great Gatsby is a story of poorness from the lens of richness, a rags-to-riches story where we only get to see the riches. Though high school English classes across the country paint Jay Gatsby as the poster child for the American dream and its subsequent loss, The Great Gatsby gets its poignancy not from what is lost but rather what lingers — Gatsby’s offstage childhood poverty that not even money can erase. For underneath Jay Gatsby’s million-dollar façade is James Gatz, a college-dropout, janitor-turned-swindler “young roughneck” from a poor family. 

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Stornoway: Hopeful and Honest

I first got wind of Stornoway back in 2011 when Izzy Westbury was president of the Oxford Union during the Michaelmas term of 2011 at Oxford University while studying abroad. The group of Oxford natives were Izzy’s favorite band at the time, and she made sure to give them a chance to play that I regretfully passed up to grab a pint with some friends.

So when the opportunity arose to see Stornoway in Washington, D.C., envelope myself in Oxford nostalgia, and enjoy some good tunes, I couldn’t pass it up.

And Stornoway delivered with hopeful, honest songs about life, love, and everything in between. Delightful is probably the best word to describe their music and the experience of seeing them live. It’s like taking a deep, refreshing breath. The British quartet mix elements of beach boys-esque pop with fleet foxes’ harmonies and a low fi, organic feel.

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A Controversial Broadway Play on the Virgin Mary closes Why?

NEW YORK — A Tony-nominated play that offered a controversial take on the Virgin Mary reflecting on her life held its final performance on Sunday, closing after only two weeks as poor ticket sales never matched high expectations.

Now the question is: Why?

Shows fold on Broadway all the time, of course, and as The New York Times noted, just 25 percent of them ever show a profit. But was there something about The Testament of Mary that doomed it to failure?

After all, biblically themed shows are all the rage on television and especially on cable; the recent History Channel miniseries The Bible generated huge ratings, and a host of shows and films are trying to explore — and perhaps exploit — similar territory.

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Julian 'J-Kwest' DeShazier on Rhymes & Reasons: The Stories of Hip-Hop

For nearly a decade, the ministry of Julian “J.Kwest” DeShazier has been an exploration in the relationship between music and faith. As artist, this Chicago native has used his unique rhythm to tell stories of deep meaning, inside and out of the church. A 2007 Holy Hip Hop Award winner, his song, “So Blessed,” was featured on the Grammy-nominated compilation Holy Hip Hop: Taking the Gospel to the Streets, and J has been celebrated as “Living Black History” by Urban Ministries International.

In 2012 he and his group, Verbal Kwest, were featured in the Sojourners, OXFAM, and Bread for the World-produced documentary The Line, providing a critical voice against poverty and violence in the U.S. A graduate of Morehouse College and the University of Chicago Divinity School, Julian currently serves as senior pastor of University Church in Chicago, and is a regular contributor to Sojourners, UrbanFaith and Kidult publications.

Editor's Note: There may be some objectional language in the beginning part of this about hour-long interview. 

 

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Fr. Michael Lapsley’s 'Redeeming the Past: My Journey from Freedom Fighter to Healer'

Most Americans sat glued to the TV or radio on April 15 (or raced to finish tax returns) transfixed by the horrific Boston Marathon bombing and aftermath. Nearly 100 friends of Fr. Michael Lapsley’s gathered that evening at Busboys and Poets restaurant and bookstore in Washington, D.C., to be soothed with a testimony of faith by South African Ambassador Ebrahim Rasool, soul-stirring cello music, and a transporting testimony of healing by apartheid regime bomb victim “Father Mike.”

One of my favorite newspapers in the world, the South African Mail and Guardian, reported on April 19 this way: 

“Boston bombings: the marathon struggle of survival and healing … a priest from South Africa, apartheid fighter and a bomb victim himself reaches out to Americans about forgiveness … He had not planned it that way. The event was to launch his book. It had been scheduled for last October but Hurricane Sandy scuppered those plans. Instead it took place on a day when three people were killed and more than 100 injured in Boston.”

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