God's Politics Blog

NEW YORK — A Tony-nominated play that offered a controversial take on the Virgin Mary reflecting on her life held its final performance on Sunday, closing after only two weeks as poor ticket sales never matched high expectations.

Now the question is: Why?

Shows fold on Broadway all the time, of course, and as The New York Times noted, just 25 percent of them ever show a profit. But was there something about The Testament of Mary that doomed it to failure?

After all, biblically themed shows are all the rage on television and especially on cable; the recent History Channel miniseries The Bible generated huge ratings, and a host of shows and films are trying to explore — and perhaps exploit — similar territory.

NEW YORK — I sat with my gospel choir colleagues, in a pew, while the host choir at Park Avenue Synagogue rehearsed a lovely Psalm setting in Hebrew.

Some sang the Hebrew text with ease, some with difficulty — a reminder that faith generally means learning a language other than one’s own.

After the synagogue choir sang in their other-language, we joined them to sing in our other-language: swaying to the beat, getting one’s body into the praise. They responded gladly, as our combined choirs rehearsed Richard Smallwood’s epic “Total Praise,” a setting of Psalm 121, which Christians and Jews share.

When two choirs from Park Avenue Christian Church and two choirs from Park Avenue Synagogue, plus some jazz musicians, performed Sunday, at a Psalms festival, we disrupted 2,000 years of animus between Christians and Jews. In the eyes of the creator God who made us all, we said, we are more alike than different, more connected than separated, more eager for shared faith than for separate and superior faith.

“I find hypocrisy all over our lives – especially mine – and certainly in the church. … I think Jesus loves everybody. Everybody. The second we call somebody a ‘nonbeliever,’ we have put a wall up between us and them. They are all children of God.”

With a wink and a crazy-eyed smile, Shadyac was, ostensibly, calling the crowd on its own … uh … baloney.

“Forgive me, I’m personally a little tired – God’s not, but I am – of khaki-wearing, Docker-delivering, Christianity,” he said. “If you’re out there in Dockers or khakis: God loves you, but I’m still a work in progress.”

And, when given the chance, Shadyac gently corrected the tacit implication that Hollywood is Babylon.

“You know what I would say to the church, to you guys, if I had to? ‘Come on. Let’s stop it,’” the director began. “We have become so whitewashed that when I literally say the word ‘ass’ – which is actually in the anatomical dictionary – because we are so born of the Puritan fear [you freak out]. Guess what? God made the ass. He made the ass.

“You’ve just gotta get over that. I don’t believe the world is godless. Because if I believe in omnipresence and omniscience, and I take the Word at its word, that God is in EV-ERY-THING,” he said. “When another person is loving another person, God is all over their lives. I don’t need to judge them and to tell them where God is in or out or what words they need to say. That is not up to me.”

Quote of the day.
"The challenges are enormous. It's rare to have so many catastrophic injuries that require compensation. Solomon himself would have problems with this." Kenneth Feinberg, the administrator distributing more than $28 million in contributions raised for victims of the Boston Marathon bombings on assessing needs and disbursing the money.
(USA Today)